Sale 2504 - African-American Fine Art, April 4, 2019

B I B L I O G R A P H Y Ketner, Joseph D. The Emergence of the African-American Artist: Robert S. Duncanson, 1821-1872 . Columbia and London:The University of Missouri Press, 1993. King-Hammond, Leslie. GumboYaYa:Anthology of Contemporary African-AmericanWomen Artists . New York: Midmarch Arts Press, 1995. King-Hammond, Leslie. Hughie Lee-Smith. San Francisco: Pomegranate, 2010. Kleetblatt, Norman L. From the Margins: Less Krasner | Norman Lewis, 1945 – 1952 . New Haven and London:Yale University Press, 2014. Leeming, David. Amazing Grace:A Life of Beauford Delaney. NewYork: Oxford University Press, 1998. Lewis, Samella. African American Art and Artist. Los Angeles: University of California Press, 2003. Lewis, Samella. The Art of Elizabeth Catlett . Claremont, CA: Handcraft Studios, 1984. Lewis, Samella. Barth é : His life in Art. Los Angeles, CA: UnityWorks, 2009. Marion, Sara L. Stages of Influence:The Universal Threatre of Hughie Lee-Smith .Albuquerque, New Mexico: University of New Mexico Art Museum, 2001. Myers, Julia R. Energy: Charles McGee At Eighty-Five . Michigan: University Art Gallery, Fort Art Gallery, Eastern Michigan University, 2009. Enwezor, Okwui. Frank Bowling: Mappa Mundi . London: Prestel, 2017. Nesbett, Peter T. Jacob Lawrence,The Complete Prints (1963-2000). Seattle: Francine Seders Gallery Ltd., in association with University ofWashington Press, 2001. Oehler, Sarah Kelly and Esther Adler. CharlesWhite:A Retrospective . New Haven and London:Yale University Press, 2018. Porter, James A. and Constance Porter Uzelac. James Amos Porter: Spotlight on HisWork on Paper Drawings, Sketches,Vignettes, Portraits, Bookplates, Illustration, Murals (Including a Stained GlassWindow). Fort Lauderdale, FL:Westport Foundation and Gallery, 1998. Porter, James A. and Constance Porter Uzelac . James A. Porter,Artist and Art Historian:The Memory of the Legacy .Washington D.C.: Howard University Gallery of Art, 1992. Powell, Richard J., andVirginia M. Mecklenburg. African American Art: Harlem Renaissance, Civil Era and Beyond. Washington, DC: Smithsonian American Art Museum, 2012. Reynolds, Gary A. and Beryl J.Wright. Against the Odds:African-American Artist and the Harmon Foundation. Newark, NJ:The Newark Museum, 1989. Riggs,Thomas . St. James Guide to Black Artists . Michigan: Saint James Press, 1997. Scarborough, Klare. Elizabeth Catlett:Art for Social Justice . Philadelphia, PA: La Salle University Museum: Philadelphia, PA, 2015. Schwartzman, Myron. Romare Bearden: His Life and Art . NewYork NY: Harry N.Abrahms, Inc., 1990. Taha, Halima. Three Decades of American Printing:The BrandywineWorkshop Collection . NewYork, NY and Manchester, England: Hudson Hills Press, 2004. Theisen, Ollie Jensen, and John Thomas Biggers. A Life on Paper:The Drawings and Lithographs of John Thomas Biggers. Denton,TX: University of North Texas Press, 2006. Vendryes, Margaret Rose. Barth é :A Life in Sculpture. Jackson, MS: University of Mississippi Press, 2008. Wardlaw,Alvia J. The Art of John Biggers:View from the Upper Room . NewYork, NY: Harry N.Abrams, Inc., 1995. Wardlaw,Alvia J. Charles Alston:The David C Driskell Series of African American Art:VolumeVI . San Francisco, CA: Pomegranate Press, 2007. White, Charles. Images of Dignity:The Drawings of CharlesWhite . Los Angeles, CA: Heritage Gallery, 1967.