Sale 2518 - African-American Fine Art, October 8, 2019

B I B L I O G R A P H Y Ittman, John. DoxThrash:An African American Master Printmaker Rediscovered . Seattle and London, Philadelphia Museum of Art in association with University ofWashington Press, 2001. Jones, Kellie. Now DigThis! Art & Black Los Angeles 1960 – 1980 . Los Angeles: Hammer Museum, 2011. Jones-Hogu, Barbara, Julie RodriguesWidholm, Faheem Majeed, ZoeWhitley, and Rebecca Zorach. Barbara Jones-Hogu: Resist, Relate, Unite: January 11 - March 25, 2018: DePaul Art Museum . Chicago, IL: DePaul Art Museum, 2018. King-Hammond, Leslie. Hughie Lee-Smith. San Francisco: Pomegranate, 2010. Leeming, David. Amazing Grace:A Life of Beauford Delaney. NewYork: Oxford University Press, 1998. LeFalle-Collins, Lizzetta. Sargent Johnson:African American Modernist . San Francisco: San Francisco Museum of Modern Art, 1998. Leininger-Miller,Theresa A. New Negro Artists in Paris:African American Painters and Sculptors in the City of Light, 1922-1934 . New Brunswick, NJ: Rutgers University Press, 2001. Lewis, Samella. African American Art and Artist. Los Angeles: University of California Press, 2003. Lewis, Samella. The Art of Elizabeth Catlett . Claremont, CA: Handcraft Studios, 1984. Marion, Sara L. Stages of Influence:The Universal Theatre of Hughie Lee-Smith .Albuquerque, New Mexico: University of New Mexico Art Museum, 2001. Marley,Anna O. Henry OssawaTanner: Modern Spirit . Philadelphia: Pennsylvania Academy of the Fine Arts, 2012. Mosby, Dewey F. Across Continents and Cultures:The Art and Life of Henry OssawaTanner . Kansas City, Missouri:The Nelson-Atkins Museum of Art, 1995. Mosby, Dewey F., Darrel Sewell, and Rae Minter-Alexander. Henry OssawaTanner: Philadelphia Museum of Art, 1991. Nesbett, Peter T. Jacob Lawrence,The Complete Prints (1963-2000). Seattle: Francine Seders Gallery Ltd., in association with University ofWashington Press, 2001. Porter, James A. and Constance Porter Uzelac. James Amos Porter: Spotlight on HisWork on Paper” Drawings, Sketches,Vignettes, Portraits, Bookplates, Illustration, Murals (Including a Stained GlassWindow). Fort Lauderdale, FL:Westport Foundation and Gallery, 1998. Porter, James A. and Constance Porter Uzelac . James A. Porter,Artist and Art Historian:The Memory of the Legacy .Washington D.C.: Howard University Gallery of Art, 1992. Reynolds, Gary A. and Beryl J.Wright. Against the Odds:African-American Artist and the Harmon Foundation. Newark, NJ:The Newark Museum, 1989. Schoonmaker,Trevor . Barkley L. Hendricks: Birth of the Cool. Duke University Press, 2008. Schulman, Daniel, and Peter Max Ascoli. A Force for Change:African American Art and the Julius Rosenwald Fund . Chicago, IL: Spertus Museum, 2009. Schwartzman, Myron. Romare Bearden: His Life and Art . NewYork NY: Harry N.Abrams, Inc., 1990. Sirmans, Franklin,Yael Lipschutz, Kristine McKenna, Lowery Stokes Sims, Dale B. Davis, Fredrik Nilsen, and Noah Purifoy. Noah Purifoy: Junk Dada . Los Angeles, CA: Los Angeles County Museum of Art, 2015. Taha, Halima. Three Decades of American Printing:The BrandywineWorkshop Collection . NewYork, NY and Manchester, England: Hudson Hills Press, 2004. Theisen, Ollie Jensen, and John Thomas Biggers. A Life on Paper:The Drawings and Lithographs of John Thomas Biggers. Denton,TX: University of North Texas Press, 2006. Wardlaw,Alvia J. The Art of John Biggers:View from the Upper Room . NewYork, NY: Harry N.Abrams, Inc., 1995.