264

Adebunmi Gbadebo

(b. 1992)

Untitled.

Cotton, cotton seeds, cotton bulbs, human hair, pigments and screenprint on handmade rice paper, 2023.
Signed and dated in ink, verso.
32 x 23 in. (81.3 x 58.4 cm.),
Frame: 38 x 30 x 2 in. (96.5 x 76.2 x 5.1 cm.)

  • Provenance:
    Private collection.
  • Notes:
    Adebunmi Gbadebo is a multimedia artist who uses culturally and historically imbued materials to investigate the complexities of land, matter, and memory across sites of slavery. Centering on deeply resonant materials such as indigo dye, soil hand-dug from plantations, and human Black hair collected throughout the diaspora, Gbadebo has developed a visual vocabulary entirely her own. The resulting works carry the stories of ancestors, families, and individuals, either long overlooked or too closely surveilled.

    Born in New Jersey and based between Newark and Philadelphia, Gbadebo earned her BFA from the School of Visual Arts, NY (2017), and a certificate in Creative Place Keeping from the New Jersey Institute of Technology. Gbadebo's works are included in the permanent collections of the Smithsonian National Museum of African Art, Smithsonian National Museum of African American History and Culture, the Minneapolis Institute of Art, the South Carolina State Museum, the Boston Museum of Fine Arts, the Newark Museum of Art, amongst others. Gbadebo has presented in exhibitions across the US and internationally in Africa, Europe, and Asia, and will be exhibiting in the Biennale of Sydney (Australia) in 2024.

    Adebunmi's work in ceramics was recently exhibited in Hear Me Now: The Black Potters of Old Edgefield, South Carolina, at the Metropolitan Museum of Art, NY, a show that predominantly exhibited the work of enslaved peoples, a first in the Met's history. Bio courtesy of the artist's website.
  • Condition:
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April 2, 2026 12:00 PM EDT
New York, NY, US

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