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115
AMERICAN PRINTMAKERS
Group of 6 prints.
EDMOND CASARELLA. Michael the Mad Dog, woodcut, 1956. Signed, dated and titled in pencil, lower margin * FEDERICO CASTELLON. The Mask of the Red Death, color lithograph, 2 impressions, 1969. Printed on rear of folded title page. Printed by the Mulberry Press, Baltimore * ANTONIO FRASCONI. Still Life, color woodcut. Editon of 50. Signed, titled and inscribed "Ed. 50" in pencil, lower margin * PATRICIA SMART. Meg Wynn Owen as Hazel, lithograph printed in orange. Artist's proof. Signed, titled and inscribed "Artist's Proof" in pencil, lower margin * UMBERTO ROMANO. Abstract Figure, lithograph. Signed in pencil, lower right.
With--RICO LEBRUN. Group of 4 lithographs. Each on cream wove paper, 1963. Each signed and dated in ink, lower right. Each from Drawings from Dante's Inferno. Various sizes and conditions.
EDMOND CASARELLA. Michael the Mad Dog, woodcut, 1956. Signed, dated and titled in pencil, lower margin * FEDERICO CASTELLON. The Mask of the Red Death, color lithograph, 2 impressions, 1969. Printed on rear of folded title page. Printed by the Mulberry Press, Baltimore * ANTONIO FRASCONI. Still Life, color woodcut. Editon of 50. Signed, titled and inscribed "Ed. 50" in pencil, lower margin * PATRICIA SMART. Meg Wynn Owen as Hazel, lithograph printed in orange. Artist's proof. Signed, titled and inscribed "Artist's Proof" in pencil, lower margin * UMBERTO ROMANO. Abstract Figure, lithograph. Signed in pencil, lower right.
With--RICO LEBRUN. Group of 4 lithographs. Each on cream wove paper, 1963. Each signed and dated in ink, lower right. Each from Drawings from Dante's Inferno. Various sizes and conditions.
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