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121
AMERICAN PRINTMAKERS
Group of 11 early etchings.
JAMES A. M. WHISTLER Fulham (Chelsea), 1879. Kennedy 182 * S. O. ANDERSON. Country Landscape * CHARLES K. GLEESON. A Windy Afternoon (River Marne, France), 1911. Signed, titled and inscribed "imp" in pencil, lower margin * ERNEST HASKELL. Sentinels of North Creek * KENNETH HAYES MILLER. Play. Both circa 1925. Both signed in pencil, lower right. Both from the New Republic portfolio. With the original portfolio folder * DONALD SHAW MACLAUGHLIN. Venetian Scene. Signed in pencil, lower right * ELLEN OAKFORD. Winter Scene, 1889. Signed in pencil, lower right * SHAW. Fanueil Hall, Boston, 1902 * Monticello, 1905. Both signed in pencil, lower right * FRED SLOCOMBE. A Middlesex Lane * JAMES D. SMILLIE. Landscape, with aquatint. Signed in pencil, lower right.
With--UNKNOWN. Floral Still Life, watercolor mounted on board * Ship at Sea, monotype on pink paper. Initialed, dated and inscribed "NY May" in pencil, lower right. Various sizes and conditions.
JAMES A. M. WHISTLER Fulham (Chelsea), 1879. Kennedy 182 * S. O. ANDERSON. Country Landscape * CHARLES K. GLEESON. A Windy Afternoon (River Marne, France), 1911. Signed, titled and inscribed "imp" in pencil, lower margin * ERNEST HASKELL. Sentinels of North Creek * KENNETH HAYES MILLER. Play. Both circa 1925. Both signed in pencil, lower right. Both from the New Republic portfolio. With the original portfolio folder * DONALD SHAW MACLAUGHLIN. Venetian Scene. Signed in pencil, lower right * ELLEN OAKFORD. Winter Scene, 1889. Signed in pencil, lower right * SHAW. Fanueil Hall, Boston, 1902 * Monticello, 1905. Both signed in pencil, lower right * FRED SLOCOMBE. A Middlesex Lane * JAMES D. SMILLIE. Landscape, with aquatint. Signed in pencil, lower right.
With--UNKNOWN. Floral Still Life, watercolor mounted on board * Ship at Sea, monotype on pink paper. Initialed, dated and inscribed "NY May" in pencil, lower right. Various sizes and conditions.
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