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ANSEL ADAMS (1902-1984) A selection of three photographs from Portfolio V. 1936-58; printed 1970.

ANSEL ADAMS (1902-1984)
A selection of three photographs from Portfolio V. 1936-58; printed 1970.
Silver prints, the images measuring 15 1/8x19 5/8 inches (38.4x49.8 cm.), and slightly smaller, and the reverse, the mounts 29x23 inches (73.7x58.4 cm.), each with Adams' signature, portfolio and print number, and edition notation 62/110 in pencil on mount recto, and the portfolio stamp with the title, negative date, and print number in ink in an unknown hand, on mount verso.

White Stump, Sierra Nevada, California, 1936 * Pinnacles, Alabama Hills, Owens Valley, California, 1945 * Petroglyphs, Monument Valley, Utah, 1958

  • Condition: Petroglyphs,: 15 1/8x 19 5/8
    Pinnacles; 15 5/8x19
    White Stump 19 1/2x13 1/8

    This selection of three photographs from Portfolio V by Ansel Adams is overall in good to very good condition. The prints are lustrous and tonally rich, exemplifying Adams' skill in the darkroom and rendering of both the rich detail and sublime magnitude of the western United States. The prints evidence a few minor issues which are detailed below.

    Print 1: Petroglyphs, Monument Valley, Utah
    This print is in excellent condition, with no flaw on its surface and neat edges, but the lower corners are lifting from the mount. There are 2 remnants of adhesive residue on the upper and lower margins, and an exceedingly faint band of warming around the edges of a print, likely from a prior overmat.

    Print 2: Pinnacles, Alabama Hills, Owens Valley, California
    The surface of this print evidences tiny faint specs of scattered foxing. This is mostly visible in the sky, and under strong, raking light (within the central part of the print the textural image somewhat obscures the imperfection). There is a tiny chip at the upper edge, just to the left of center. The lower margin of the mount evidence adhesive residue, and the left side shows a single foxing mark.

    Print 3: White Stump, Sierra Nevada, California
    The surface of the print evidences scattered spots of foxing. While visible under close inspection in raking light, they remain extremely discreet under typical viewing condition. The upper and lower margins of the mount evidence adhesive residue. There is also an exceedingly faint band of warming around the edges of a print, likely from a prior overmat.

    Each with Adams' signature, portfolio and print number, and edition notation 62/110 in pencil on mount recto, and the portfolio stamp with the title, negative date, and print number in ink in an unknown hand, on mount verso.


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May 8, 2025 12:00 PM EDT
New York, NY, US

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