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(ARCHITECTURE.) Goodhue, Bertram Grosvenor. Two ink drawings of Boston area churches (one initialed).

(ARCHITECTURE.) Goodhue, Bertram Grosvenor. Two ink drawings of Boston area churches (one initialed). Unsigned ink drawing titled "The New Church & The Old," 255x340 mm; 9 7/8x13 1/4 inches, on thick stock, tipped to mat, toned along edges (pencil note "Christ Church, Hyde Park" on verso); Signed image titled "The New East End of Emmanuel Church, Wakefield" and signed "Cram, Wentworth, & Goodhue Architects, Boston" lower left, with the firm's stamp on verso, 350x340 mm; 13 3/4x13 1/4 inches, on thick stock, tipped to mat, toned and with one small marginal spot. Boston, circa 1891-98

  • Notes: Goodhue and Ralph Adams Cram formed the firm Cram, Wentworth, and Goodhue, with fellow architect Charles Wentworth in 1891; after the latter's death, draftsman Frank Ferguson joined the firm. Goodhue was also a talented book and type designer. In 1896, he created the Cheltenham typeface for use by a New York printer, Cheltenham Press. This typeface came to be used as the headline type for The New York Times. Cram is well-known for St. Patrick's Cathedral in New York City. The lot includes a large, folded printed plan of a neo-gothic church entrance with some hand-coloring, split along the folds, undated, but believed to be a project by the firm around the same time, though perhaps not for one of the churches in the drawings.

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