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GEORG MUCHE Das kleine Formenalphabet.

GEORG MUCHE
Das kleine Formenalphabet.

Etching on cream wove paper, 1922. 240x150 mm; 9 1/2x6 inches, full margins. Signed in pencil, lower left. Ex-collection the Harvard Busch-Reisinger Museum, Cambridge, Massachusetts, with the label on the frame back. A very good impression of this scarce etching.

Muche (1895-1987) began his art studies in Munich at the age of 18 at the School for Painting and the Graphic Arts. In 1915, he moved to Berlin and became involved with Der Sturm and its associated artists. This experience affected Muche's work greatly, and the influence of Expressionism, Cubism and Der Blaue Reiter artists (most notably Paul Klee) became pronounced in his work at this time. Between 1916 and 1918 he exhibited separately with Archipenko, Ernst and Klee before joining the Bauhaus faculty at the request of Walter Gropius (and the encouragement of Lyonel Feininger) in 1919. There he headed the weaving workshops and became the school's youngest ever Master of Form, the individual responsible for monitoring the aesthetic and design aspect of each student's work. At the Bauhaus, Muche was also noted for overseeing the school's first major exhibition in 1923. After leaving the Bauhaus in 1927 he worked in both Berlin and Wroclaw before eventually settling in Lindau, New Zealand, where he continued to create art as a freelancer. The Bauhaus Archive held a retrospective for the artist in 1980.

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