94

IVAN LORRAINE ALBRIGHT (1897 - 1983) Follow Me.


IVAN LORRAINE ALBRIGHT (1897 - 1983)


Follow Me.
Lithograph, 1948. 343x225 mm; 13½x8¾ inches, full margins. Edition of 250. Signed and titled in pencil, lower margin. Published by Associated American Artists, New York. Grayson 14.

Albright was a native of Chicago and an American painter, sculptor and printmaker most renowned for his self-portraits, character studies and still lifes. He honed a fiercely independent style which focused on highlighting the minute detail and texture of every surface, often requiring him to spend years or even decades on a single work. Though he worked under the auspices of the Public Works of Art Project (PWAP) in 1933-34 and the Works Progress Administration (WPA) for a few months in 1936, Albright generally seemed to disdain the contemporary work of many other American Regionalist and Realist artists who worked in these government supported programs. His oil on canvas, The Farmer's Kitchen, 1933-34, now in the Smithsonian American Art Museum, Washington, DC, which comes closest to capturing the feeling in the works of American Regionalist artists, shows a weary woman seated and peeling a bunch of radishes in a hard-scrabble farm kitchen. The scene is almost a parody of works by Grant Wood (1891-1942) or John Steuart Curry (1897-1946). Albright summed up his view of the American Regionalists popular at the time, observing, "There is that group of American Sceners whose pictures are more news bulletins than art. They picture the tornado, the flood, the drought lands, the TVA, but pathetically enough are six months behind the newspaper headlines and photographs."

  • Provenance:

    Albright was a native of Chicago and an American painter, sculptor and printmaker most renowned for his self-portraits, character studies and still lifes. He honed a fiercely independent style which focused on highlighting the minute detail and texture of every surface, often requiring him to spend years or even decades on a single work. Though he worked under the auspices of the Public Works of Art Project (PWAP) in 1933-34 and the Works Progress Administration (WPA) for a few months in 1936, Albright generally seemed to disdain the contemporary work of many other American Regionalist and Realist artists who worked in these government supported programs. His oil on canvas, The Farmer's Kitchen, 1933-34, now in the Smithsonian American Art Museum, Washington, DC, which comes closest to capturing the feeling in the works of American Regionalist artists, shows a weary woman seated and peeling a bunch of radishes in a hard-scrabble farm kitchen. The scene is almost a parody of works by Grant Wood (1891-1942) or John Steuart Curry (1897-1946). Albright summed up his view of the American Regionalists popular at the time, observing, "There is that group of American Sceners whose pictures are more news bulletins than art. They picture the tornado, the flood, the drought lands, the TVA, but pathetically enough are six months behind the newspaper headlines and photographs."
  • Condition: Toning at mat opening. Paper tape hinges at upper left and right, recto. Full margins. Framed

    For Additional Images Use Link Below:
    https://www.swanngalleries.com/ms/sale2692/lot94


    Please contact the Specialist for the auction to request a condition report.

    Condition reports and additional images are provided as a courtesy and should be used by you to aid in the formation of your own opinion regarding condition. All material is sold subject to Swann's standard Terms and Conditions of Sale as published in our catalogues and posted on our website, and include the following terms: (1) all property is sold "as-is"; and (2) works cannot be returned on the basis of condition.

Accepted Forms of Payment:

Money Order / Cashiers Check, Personal Check, Wire Transfer

Shipping

Upon request, Swann will facilitate the shipping of purchases to out-of-town buyers at an additional charge for packing, shipping and insurance, but will not be responsible for any loss, damage or delay resulting from the packing, handling and shipping thereof. Unless specific instructions are received, Swann is the sole judge of the method to be used for shipment. Packing and shipping costs will be noted on the invoice mailed to successful bidders after the sale, and are based on the actual costs involved. Be advised that a full commercial invoice must accompany any purchase shipped outside the US.

January 30, 2025 12:00 PM EST
New York, NY, US

Swann Auction Galleries

You agree to pay a buyer’s premium, as outlined below, and any applicable taxes and shipping.
Buyer's Premium
$0 - $100,000:
27.00%
$100,001 - $1,000,000:
22.00%
$1,000,001+:
12.00%

View full terms and conditions

Bid Increments
From: To: Increments:
$0 $149 $10
$150 $499 $25
$500 $999 $50
$1,000 $1,999 $100
$2,000 $5,999 $200
$6,000 $9,999 $500
$10,000 $19,999 $1,000
$20,000 $49,999 $2,000
$50,000 $99,999 $5,000
$100,000 $199,999 $10,000
$200,000 $499,999 $20,000
$500,000 + $50,000