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JACK LEVINE Group of 11 prints.
JACK LEVINE
Group of 11 prints.
Cain and Abel I, etching, 1964. Signed and numbered 48/80 in pencil, lower margin * Death's Head Hussar, etching, 1965. Signed and numbered 40/100 in pencil, lower margin * Thought, 2 impressions, 1972. Edition of 100. Both signed and numbered in white crayon, lower margin * Texas Delegate, lithograph, 1970. Artist's proof, aside from the edition of 120. Signed and inscribed "Artist's Proof" in pencil, lower margin * Sacrifice of Isaac, etching, 1974. Artist's proof, aside from the edition of 100. Signed and inscribed "Artist's Proof" in pencil, lower margin * Pygmalion, lithograph, 1977. Artist's proof, aside from the edition of 100. Signed and inscribed "Artist's Proof" in pencil, lower margin * Requiem, lithograph printed in sepia, 1979. Artist's proof, aside from the edition of 150. Signed and numbered AP/3 in pencil, lower margin * Sweet Bye and Bye, etching, 1980. Artist's proof, aside from the edition of 100. Signed, dedicated and inscribed "Artist's Proof" in pencil, lower margin * Mack at Work * Polly Found a Bank. Both etchings printed in green, 1967. Both signed and numbered XXXVII/XLV in pencil, lower margin. Both from the unpublished Three Penny Opera, 1967. Both not in Prescott. Various sizes and conditions. Prescott 21, 34, 57, 58, 60, 62, 64, 65 and 71.
Group of 11 prints.
Cain and Abel I, etching, 1964. Signed and numbered 48/80 in pencil, lower margin * Death's Head Hussar, etching, 1965. Signed and numbered 40/100 in pencil, lower margin * Thought, 2 impressions, 1972. Edition of 100. Both signed and numbered in white crayon, lower margin * Texas Delegate, lithograph, 1970. Artist's proof, aside from the edition of 120. Signed and inscribed "Artist's Proof" in pencil, lower margin * Sacrifice of Isaac, etching, 1974. Artist's proof, aside from the edition of 100. Signed and inscribed "Artist's Proof" in pencil, lower margin * Pygmalion, lithograph, 1977. Artist's proof, aside from the edition of 100. Signed and inscribed "Artist's Proof" in pencil, lower margin * Requiem, lithograph printed in sepia, 1979. Artist's proof, aside from the edition of 150. Signed and numbered AP/3 in pencil, lower margin * Sweet Bye and Bye, etching, 1980. Artist's proof, aside from the edition of 100. Signed, dedicated and inscribed "Artist's Proof" in pencil, lower margin * Mack at Work * Polly Found a Bank. Both etchings printed in green, 1967. Both signed and numbered XXXVII/XLV in pencil, lower margin. Both from the unpublished Three Penny Opera, 1967. Both not in Prescott. Various sizes and conditions. Prescott 21, 34, 57, 58, 60, 62, 64, 65 and 71.
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June 24, 2008 1:30 PM EDT
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