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JAMES A. M. WHISTLER Old Putney Bridge.

JAMES A. M. WHISTLER
Old Putney Bridge.

Etching and drypoint printed in brownish black on cream laid paper, circa 1879. 201x300 mm; 8x11 7/8 inches, full margins. MacDonald's seventh state (of 7), with the shaded butterfly in the plate lower center and with the additional row of ripples in the water lower right. Signed with the large, shaded butterfly in pencil, lower right. The date 1814 watermark. A brilliant, richly-inked and early impression, with very strong contrasts, with crisp, inky plate edges, with all the details distinct and with burr on the bridge piers; similar in quality to the impression in the Freer Gallery of Art, Smithsonian Institution, Washington, D. C.

During his lifetime, Whistler was highly praised for his etchings and was considered by print connoisseurs to rival Rembrandt in the mastery of the medium. His technique was meticulous and deliberate; he diligently reworked plates until he was completely satisfied with an impression. When printing, he took great care applying ink to the plate and carefully selected various papers for the quality in which they held the ink. Of the 490 etchings Whistler produced over his 50 year career, Old Putney Bridge represents one of his longest-running endeavors, with some 7 states spanning nearly a decade of work (1879-1889). Kennedy 178; Glasgow 185.

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April 29, 2015 10:30 AM EDT
New York, NY, US

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