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JAMES A. M. WHISTLER Tête-à-Tête in the Garden.

JAMES A. M. WHISTLER
Tête-à-Tête in the Garden.

Lithograph, 1890. 198x164 mm; 7 3/4x6 1/2 inches, full margins. Edition of 28. A very good impression of this extremely scarce lithograph.

We have found only 5 other impressions at auction in the past 30 years.

According to Joseph Pennell, the artist and one of Whistler's biographers, the figures seated in the garden at Whistler's home on the rue de Bac, Paris, are Ethel Birnie Philip, Whistler's sister-in-law, and her husband Charles Whibley.

Whistler's primary focus during the late 1880s/early 1890s as a printmaker was lithography. His wife, Beatrix, championed his lithography. In many of his lithographs from this period, he returned to intimate, family scenes, like in his etchings of the late 1850s. This late part of his career was a relatively stable and successful time: he had survived the financial hardship following the Ruskin libel trial, he was a world famous artist and he had finally married. The tenderness in many of his lithographs fromaround this time was averse to what Getscher notes were his, "Many declarations that art should not deal with emotions duch as devotion, pity, or love, the prints demonstrate that personal associations and affections were important to Whistler; to deny that they constitute an important ingredient of his art is to rob these works of much of their appeal," (Getscher, The Stamp of Whistler, p. 10). Way 27; Levy 41; Spink 36.

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April 29, 2015 10:30 AM EDT
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