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60
JULES ALEXANDRE GRUN (1868-1938) BAL TABARIN.
48x34 inches. Chaix, Paris.
Condition B: restoration along vertical and horizontal folds. Framed.
When the Bal Tabarin opened, it was a collaborative effort between two seasoned show-business entrepreneurs: Lajunie, the owner of the Treteau de Tabarin and Auguste Bosc, the conductor of the Moulin de la Galette orchestra. Located in Montmartre, which was already a thriving village on the outskirts of Paris, they hired Grun to design the poster. The result is one of Grun's last classic images, that is populated with many of the artist's favorite subjects: a sexy young woman in Grun's near-fetish, red dress, an older, "fun-loving" bourgeois and in the background a black dandy wearing a bowler. This is the original version of the poster. A later version exists where the black character has been replaced by a white man with a too-slick moustache.
Condition B: restoration along vertical and horizontal folds. Framed.
When the Bal Tabarin opened, it was a collaborative effort between two seasoned show-business entrepreneurs: Lajunie, the owner of the Treteau de Tabarin and Auguste Bosc, the conductor of the Moulin de la Galette orchestra. Located in Montmartre, which was already a thriving village on the outskirts of Paris, they hired Grun to design the poster. The result is one of Grun's last classic images, that is populated with many of the artist's favorite subjects: a sexy young woman in Grun's near-fetish, red dress, an older, "fun-loving" bourgeois and in the background a black dandy wearing a bowler. This is the original version of the poster. A later version exists where the black character has been replaced by a white man with a too-slick moustache.
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December 16, 2004 12:00 AM EST
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