An error has occurred while processing this page. The site administrator has been notified. We apologize for the inconvenience.
70
LEOPOLDO METLICOVITZ (1868-1944) FLEURES DE MOUSSE. 1898
42 1/2x30 3/4 inches. G. Ricordi, Milan.
Condition B+: minor restored losses and restoration in margins; repaired tears in image.
Born in Trieste, Metlicovitz came to Milan and began working for the Ricordi publishing house, where he learned about poster design under the tutelage of Adolfo Hohenstien. As with many of Hohenstein's pupils he soon became one of the preeminent Italian graphic designers of his era. Throughout his career he produced a copius number of posters for commercial products, exhibitions, operas and the movie industry. His work can be separated into two distinct styles each one as superb as the other in terms of technical rendering; one is appealing and charming (this is the approach he used to advertise products), the other one, for official exhibitions is more academic and emphatic. Here, as if growing organically from the border of the image, a young beauty is entranced by the smell of the perfume she is holding. Like an allegorical blossom she is such a pure product of the natural world around her that even the butterflies believe the scent to be that of a flower, and flutter towards it. The natural color scheme, the garland of flowers in her lap and the surrounding flora and fauna all create a calm and voluptuous atmosphere. Manifesti p. 61, Masters, p.120, Ricordi 154, Gold 8.
Condition B+: minor restored losses and restoration in margins; repaired tears in image.
Born in Trieste, Metlicovitz came to Milan and began working for the Ricordi publishing house, where he learned about poster design under the tutelage of Adolfo Hohenstien. As with many of Hohenstein's pupils he soon became one of the preeminent Italian graphic designers of his era. Throughout his career he produced a copius number of posters for commercial products, exhibitions, operas and the movie industry. His work can be separated into two distinct styles each one as superb as the other in terms of technical rendering; one is appealing and charming (this is the approach he used to advertise products), the other one, for official exhibitions is more academic and emphatic. Here, as if growing organically from the border of the image, a young beauty is entranced by the smell of the perfume she is holding. Like an allegorical blossom she is such a pure product of the natural world around her that even the butterflies believe the scent to be that of a flower, and flutter towards it. The natural color scheme, the garland of flowers in her lap and the surrounding flora and fauna all create a calm and voluptuous atmosphere. Manifesti p. 61, Masters, p.120, Ricordi 154, Gold 8.
Accepted Forms of Payment:
December 18, 2003 12:00 AM EST
New York, NY, US
Swann Auction Galleries
You agree to pay a buyer's premium of 0% and any applicable taxes and shipping.