235

Peter Wayne Lewis

(1953-)

Sumerian Farewell, #57.

Oil on Rives BFK paper, 1991.
Signed, titled and dated in ink, verso.
29 1/2 x 22 in. (74.9 x 55.9 cm.), Frame: 33 x 25 in. (83.8 x 63.5 cm.)

  • Provenance:
    Courtesy of the artist.
    Consigned to support the Rush Philanthropic Arts Foundation.

    Peter Wayne Lewis was born in Kingston, Jamaica, immigrating to Sacramento, California, with his parents in 1962, and becoming an American citizen in 1983. He received his M.A. in Painting from San Jose State University in California. He was a tenured Professor of Painting at Massachusetts College of Art and Design in Boston for 25 years, including a stint as Chairman of the Department from which he is now a Professor Emeritus. He maintains an ambitious studio practice, splitting his time between the New York Metro area and Beijing, China, where he is also the Director of Oasis Gallery-Beijing.

    Peter's influences are global, ranging from his early attraction to Japanese prints to a lifelong interest in music, the legacy of his jazz-pianist father. More recently, he has become intrigued by theoretical cosmology and quantum physics, especially string theory, a concept that has pushed his work into new territory, notably in the series Buddha Plays Monk. His expansive abstract language negotiates a balance between spontaneity and precise control — an amalgam that offers an intense intellectual and visual experience.

    Recent solo exhibitions include The Delaware Contemporary (2019-2020) in Wilmington, DE; a survey of paintings produced in his studio in Beijing at UCCA - Ullens Center of Contemporary Art in Beijing (curated by Philip Tinari, 2016); and MOCA-North Miami (2015), as well as gallery exhibitions on three continents. He is in numerous public and private collections in the U.S. and abroad. Bio courtesy of the artist's website.
  • Condition:
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October 7, 2025 12:00 PM EDT
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