56

Rembrandt van Rijn

(1606-1669)

The Triumph of Mordecai.

Etching and drypoint, circa 1641.
Usticke's first state (e) (of 2), before the addition of aquatint; New Hollstein third state (of 4). A fine, well-inked impression with all the details distinct and little to no sign of wear, with burr on and around the kneeling figure lower left, on the standing figure, on the horse's head, on Mordecai's chest and cap and in the cross-hatching upper left. Bartsch 40; Biörklund 41-1; Hollstein (White and Boon) 40.
Plate: 6 7/8 x 8 3/8 in. (17.5 x 21.4 cm.), thread margins.

  • Provenance:
    Johann Carl Dietrich Hebich, Hamburg (Lugt 1250, verso).
    Possibly Friedrich Kalle, Cologne (Lugt 1021, partial verso).
  • Notes:
    According to Schapelhouman, "In spite of its modest dimensions, the Triumph of Mordecai exploits the scope of printmaking to an astonishing degree. It is as if Rembrandt wanted to exhibit the entire spectrum of his technique, from the airiest etched lines in the crowd on the right to the inkiest blacks in the drypoint areas around the superb figure kneeling in the left foreground," (see Rembrandt the Printmaker, London, 2000, page 196).
  • Condition:
    Please contact the Specialist for the auction to request a condition report.

    Condition reports and additional images are provided as a courtesy and should be used by you to aid in the formation of your own opinion regarding condition. All material is sold subject to Swann's standard Terms and Conditions of Sale as published in our catalogues and posted on our website, and include the following terms: (1) all property is sold "as-is"; and (2) works cannot be returned on the basis of condition.

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April 16, 2026 10:30 AM EDT
New York, NY, US

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