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REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust.

REMBRANDT VAN RIJN
Self Portrait in a Cap and Scarf with the Face Dark: Bust.

Etching, 1633. 135x105 mm; 5 3/8x4inches, thread margins. Biörklund's third state (of 3); Usticke's second state (of 5), before the Watelet rework and with the mouth still bow-shaped; White and Boon's second state (of 2). A superb, dark, richly-inked and early impression with no signs of wear, with crisp, partially inky plate edges, with the patch of tone slightly above and to the left of the "R" in the signature and with some of the horizontal scratches in the background around the head still distinct, consistent with the earliest impressions of this subject.

Rembrandt etched some 30 self portraits, with 27 singular images of himself and several others of himself in different guises or grouped with other portrait studies. This self portrait, at the age of 27, created two years after he had moved to Amsterdam from Leyden to establish himself as a successful (and independent) artist, and months before he married Saskia van Uylenburgh, is perhaps Rembrandt's most introspective self rendering. The dark shading covering much of his face (which rapidly disappears in later impressions), the deep-set eyes and his quiet, hunched pose lend him an almost shy, reserved appearance, which is markedly different from the proud, bright, frontal poses of his self portraits from the mid- to late-1630s. Bartsch 17; Biörklund 33-G; Hollstein (White and Boon) 17.

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April 29, 2015 10:30 AM EDT
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