223

RICHARD AVEDON (1923-2004) George Harrison.

RICHARD AVEDON (1923-2004)
George Harrison. Dye transfer print, the image measuring 19 7/8x15 3/8 inches (50.5x39 cm.), the sheet slightly larger, the mount 24¼x19¼ inches (61.6x48.9 cm.), with Avedon's signature and date in ink on recto. 1967

Provenance: Acquired directly from the Photographer by Richard Bergeron, who ran the marketing and advertising department for Abbott Labs. Bergeron is best known in science fiction circles for his fanzine titled Warhoon.

In August 1967, Avedon shot the Beatles in a studio at Thompson House, 200 Gray's Inn Road, London when the musicians were at the peak of their celebrities. Printed pictures from this session appeared first in the Jan. 9, 1968 issue of Look, and later in Europe's Stern magazine. Far from his conventional and purist style for portraits, Avedon embraced the western hippie cultural shift that the Beatles conveyed at this particular time of their career by personifying them as deities and rendering them in psychedelic colors, with each given his own visual identity through specific postures, colors, and symbolic attributes. Later, a portfolio of four dye transfer prints was produced and released as a limited set of 75 copies in 1990. This dye transfer depicts Harrison in red, not in the green tones originally chosen, but features the all-seeing eye on Harrison's hand, the solarization, and deep saturation which gave these compositions their innovative power. Presumably, this represents an experiment by Avedon signed and dated 1967, and is a rarity on the market.

For additional images please follow the link below:
http://www.swanngalleries.com/ms/Sale2627/lot223

  • Condition: Avedon's photograph of George Harrison is overall in very good condition. The print is lush and rich, with the beautiful vibrant saturated colors associated with the dye-transfer process.

    Under close examination and strong raking light, there are a couple slight imperfections visible on the surface of the print. This includes a faint spot of residue and a faint dimple in the upper left quadrant in the background, not entering the figure area, a short lineal surface impression in the upper right quadrant, and finally a small triangle-like surface impression in the grey area of the hand. Once again, the imperfections are only visible under strong raking light and not disruptive at all to viewing the work.

    The thin white margins are bright and clean. The upper margin evidences some faint color traces due to the printing process.

    The print is mounted to a period mount, which shows signs of aging and soiling, both on its recto and verso, with slightly rubbed corners.

    A unique work by Avedon on the market.


    Please contact the Specialist for the auction to request a condition report.

    Condition reports and additional images are provided as a courtesy and should be used by you to aid in the formation of your own opinion regarding condition. All material is sold subject to Swann's standard Terms and Conditions of Sale as published in our catalogues and posted on our website, and include the following terms: (1) all property is sold "as-is"; and (2) works cannot be returned on the basis of condition.

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February 23, 2023 12:00 PM EST
New York, NY, US

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