365

(SATIRE.)

Group of 8 mostly hand-colored etched and engraved nineteenth-century British socio-political cartoons.

London, vd
- "Shortshanks" (Robert Seymour). An Untoward Event, or__A Tory Triumph. 9½x13½ inches sheet, trimmed to the platemark; manuscript annotations. 1828 

- Thomas Tegg. The Universal Cosmetic by George Colman the Younger. 11x8½ inches sheet, trimmed to the platemark; light soiling. 1807 

- Isaac Robert Cruikshank. Beauties of Gre[as][ec]e__or__Luxuries of the Kremlin. 9½x13½ inches sheet, trimmed to the platemark; soiling and age tone. Circa 1820 

- [Thomas Rowlandson?] after William Henry Bunbury. A Visit to the Camp. 9x12½ inches sheet, trimmed to the neatline; closed tear into upper left image. Circa 1815 

- William Elmes. Prime Bang Up at Hackney or a Peep at the Balloon 12th. Augt. 13½x9 inches sheet, trimmed to the neatline with minor loss to lower title; mounting stains. 1811 [but after, with an 1823 watermark] 

- Isaac Robert Cruikshank. A New Chancery Suit Removed to the Scotch Bar or More Legitimates. 9¼x13 inches sheet, trimmed to the platemark; uncolored; offset from a facing print. 1819 

- James Gillray. The Cole-Heavers. 9¾x13¾ inches sheet; uncolored; corner mount stains and chips. 1783 [but later] 

- William Dent and William Moore. French Treaty Reviewed, or the Contrast Commercial and National. 10½x14 inches sheet, ample margins; uncolored; faint mat line. 1786

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December 9, 2025 10:30 AM EST
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