399

SAYERS, DOROTHY L. Group of 5 letters Signed, "Dorothy L. Sayers," "D.L.F.," "Dorothy L. Fleming," or "D.L Sayers," to Oxford classmate

SAYERS, DOROTHY L. Group of 5 letters Signed, "Dorothy L. Sayers," "D.L.F.," "Dorothy L. Fleming," or "D.L Sayers," to Oxford classmate and writer Edward H.W. Meyerstein ("Dear Eddie"): Illustrated Autograph Letter * Three Autograph Letters * Typed Letter. The letters, on mostly literary subjects, including a discussion of Satan in Milton''s works. The illustration, small ink drawing, unsigned, a sketch of a tombstone on which is inscribed "In Memory of a Lost Opportunity" and around which are mourners, on verso of first [1926] letter. Together 13 pages, each 4to or 8vo, personal stationery, written on recto and verso; generally good condition. (MRS) Vp, 1926-44

  • Notes: [London, circa November 1926]: "I have found the Princess--& her name is Caraboo as I thought--you must remember her! I head a great hunt for her, as she wasn''t in the book I thought she was . . . .
    "Dropping a . . . tear to the memory of Justinian--(2 Volumes!!)"
    [London], 6 December 1926, TLS: ". . . I am staggering along with a new Lord Peter novel, but making very little progress--it seems to be one of those irritating themes that refuse to come into shape!"
    Witham, 13 June 1932: "Michael Sadleir is now back from abroad, &, having occasion to write to him in connection with Wilkie [Collins], I took the opportunity to sound him in the subject of Marryat. This is what he says: ''. . . On general principles I should like to publish his Marryat book very much, but things are very difficult at the moment for this sort of book . . . .'' . . . .
    ". . . I should . . . strenuously avoid any publisher who offers to buy the book outright. No reputable publisher would make such a contract . . . ."
    Witham, 7 September 1944: ". . . I rather agree about Milton''s awkwardness. Milton could have got away alright with his Paradisal & unfallen love if he hadn''t kept on stopping to explain how pure it was--but he makes such a song-&-dance about its being quite all right that he implants the counter-suggestion that there must be something wrong about it to need so much explaining! Also, I don''t think you are quite fair . . . about Milton''s Satan. . . . Milton was the dupe of his own genius. The appearance of nobility is . . . ''part of the Satanic set-up,'' & Milton has faithfully put it all there--so faithfully that it might (& does) deceive the very elect. . . . I think . . . that Milton was less successful in convincing one about the Satanic degradation than in ''putting across'' the Satanic pseudo-nobility . . . ."

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