31

(Various Artists)

21 Etchings and Poems.

Complete portfolio of 21 intaglio prints including etching, aquatint, engraving and drypoint on Rives, 1960.
Each signed (except two) and numbered 22/50 in pencil, lower margin. Printed by Andersen-Lamb, Brooklyn. Published by Morris Gallery, New York.

Including:
Pierre Alechinsky and Dotremont, Poem
Fred Becker and T. Weiss, To Yeats in Rapallo
Ben-Zion and David Ignatow, The Faithful One
Letterio Calapai and William Carlos Williams, To a Poor Old Woman
Willem DeKooning and Harold Rosenberg, Revenge
Peter Grippe and Dylan Thomas, The Hand that Signed the Paper Felled a City
Salvatore Grippi and Richard Wilbur, Mind
Stanley W. Hayter and Jacques-Henry Lévesque, Poem
Franz Kline and Frank O'Hara, Poem
Jacques Lipchitz and Hans Sahl, Gedicht
Ezio Martinelli and Horace Gregory, The Blue Waterfall
Ben Nicholson and Sir Herbert Read, Tenement
Irene Rice Pereira and George Reavey, Omega
Helen Phillips and André Verdet, Poem
André Racz and Thomas Merton, Aubade–Harlem
Kurt Roesch and Alastair Reid, Underworld
Attilio Salemme and Morris Weisenthal, Tiresias
Louis Schanker and Harold Norse, Most Often in the Night
Karl Schrag and David Lougee, Fiercely, Lady, Do We Ride
Esteban Vicente and Peter Viereck, Nostalgia
Adja Yunkers and Theodore Roethke, Praise to the End!
Title page, contents page, and publisher's note, with original blue clothbound portfolio box.
Each sheet approximately: 19 7/8 x 16 7/8 in. (50.5 x 42.9 cm.), full margins, loose as issued.
Each frame: 20 3/8 x 17 3/8 in. (51.8 x 44.1 cm.)

  • Notes:
    21 Etchings and Poems was conceived by Peter Grippe in 1951, at the onset of his directorship of renowned print studio Atelier 17, after its founder Stanley Hayter returned to Paris. Each print invites collaboration between artist and poet, integrating text and imagery together paying homage to the traditions of illuminated manuscripts. Each poem is in the poet's own handwriting, oftentimes engraved into the copper themselves. This portfolio is hailed as "probably the first American collaboration of such magnitude between artist and author" (Garvey, The Artist and the Book, 1961, no. 145).

    In 1954, Atelier 17 was disbanded, but Grippe continued with the project in his own studio, working with early poem contributor and founder of Morris Gallery, Morris Weisenthal, to publish the portfolio. Over the course of the almost 10 year endeavor, Grippe and Weisenthal expanded the scope of their already ambitious project to include many more celebrated and accomplished artists and poets. Grippe, Hayter and Weisenthal contributed to The Hand that Signed the Paper Felled a City, Poem and Tiresias.
  • Condition:
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