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VROMAN, ADAM CLARK (1856-1916) Extraordinary album titled "A Trip to Snake Dance, Moqui-Indian-towns, and Petrified Forests of Arizona.

VROMAN, ADAM CLARK (1856-1916)
Extraordinary album titled "A Trip to Snake Dance, Moqui-Indian-towns, and Petrified Forests of Arizona." With 76 platinum prints depicting the famous Snake Dance, dynamic portraits, Native American dwellings, landscapes, and Vroman's traveling party. Platinum prints, sizes approximately 6x8, 4 1/2x7 or 3 1/2x4 1/2 inches (15.2x20.3, 11.4x17.8 or 8.9x11.4 cm.), and the reverse, each with Vroman's numeric notation in the negative and his caption, in ink, in the margin; printed singly or doubly per page directly onto the album leaves, with the smallest sizes mounted in die-cut windows four per page. Oblong 4to, gilt-lettered 1/2 leather boards, just lightly worn, rebacked; with Wilberforce Eames's signature and a Harper's Weekly article mounted to the preliminaries. August 1895

  • Notes: From Lewis Hotchkiss Brittin; to Senator Barry Goldwater; to the present owner. Wilberforce Eames (1855–1937) was a distinguished bibliographer of Native-American linguistics. He directed the New York Public Library's American History department and editor of Sabin's Dictionary.

    Adam Clark Vroman's scarce photographs of southwestern Native American culture exhibit the unerring, inquisitive eye of a master photographer, as well as a beautiful range of tones indicative of an astute and talented printer. The album offered here, likely prepared as a unique souvenir presentation piece, documents one of Vroman's eight expeditions, which were taken over a period of 10 years, to record the rituals and lives of native people. Beginning with his photographs of the traveling party, the album moves through multiple perspectives of the famous, and secretive, Hopi ritual known as the snake dance, portraits of Native Americans, and the expansive landscape of the area.

    Vroman's eye focuses on intimate details (such as the intricacies of his subjects' clothing), as well as the broad context (documenting the landscape and architecture of the space around him). He also explores his own place in the story (several, many rather humorous, images of his traveling party appear throughout), along with the snake dance ceremony, delicately drawing this complex narrative together.

    Like his contemporary, Edward S. Curtis, he was an intelligent observer whose written account of the expedition opens the album. This narrative was handwritten, it should be noted, in his spidery, artful calligraphy. The 76 platinum prints that follow are exquisite in depth and tonal range, with subtle nods towards modernism--here and there trees or bluffs pop over the edge of the image area. His editing eye carefully creates images that are full of information, but aesthetically elemental. Astutely aware, Vroman's album is truly remarkable for its content and artistic achievement..
  • Condition: All items are offered for sale subject to Swann Galleries' standard terms and conditions of sale, which are published in our catalogues.

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October 19, 2010 1:30 PM EDT
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