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WESTON, BRETT (1911-1993) "Rock and Pebbles, Point Lobos."

WESTON, BRETT (1911-1993)
"Rock and Pebbles, Point Lobos." Silver print, 7 1/2x9 inches (19x22.9 cm.), with Weston's signature and date, in pencil, on mount recto. 1929

  • Notes: From the Levin Gallery, Monterey, California; to the present owner in March 2003.
    Brett Weston: Out of the Shadow, 88.


    The second son of Edward and Flora Weston, Brett Weston spent most of his working and posthumous career in the shadow his father. Both photographers worked predominately in the Modernist style and focused on similar subject matter, with Brett later working alongside his father in the darkroom when Edward was no longer able to print for himself.


    Brett developed his style as a photographer early on when, at age 13, he went with his father to Mexico. It was here, aboard the SS Oaxaca, that he produced his first image. During his time in Mexico he learned about equipment and procedure, immediately beginning to work with professional cameras. Brett printed with glossy silver paper, as he could not afford the platinum papers that Edward used at this time. Edward was so impressed by the tonalities achieved that he stopped working with platinum, marking his transition to straight photography.

    Brett was greatly influenced by the work of painters Diego Rivera and Jose Clemente Orozco, employing their use of form and composition. His depiction of organic objects was transformed through the camera lens by close-up studies and tonalities high in tonal contrast blurring the lines of recognition and moving towards a high degree of abstraction. A working ideal he continued to use through his career was the reduction of the object down to a pure form.


    Brett had his first exhibition when he was 15, alongside his father, at the University of California, Los Angeles, which was organized by Barbara Morgan. Both photographers continued to receive critical success, Brett being chosen the outstanding photographer at the 1941 exhibition at the Museum of Modern Art entitled "Image of Freedom." After his father's death, Brett traveled extensively through the Pacific Northwest, the Baja Peninsula, Japan, Hawaii and Europe focusing on abstractions and landscapes.

    As Brett aged, he sought more control of his work. He was quite insistent that only he could bring out the nuances of his negatives, and that his imagery was not to be posthumously printed, as his father's had been. On his 80th birthday, in 1991, he burned a handful of his original negatives to prevent anyone from reprinting them after his death. These events took place a few times, mostly for the sake of the media. Most of the negatives were immersed in garbage cans filled with water, removing their emulsions, and thereby destroying a lifetime of work.

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May 20, 2010 10:30 AM EDT
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