Leading the sale was Das Werk von Gustav Klimt, 1918, the only monograph of Gustav Klimt’s work published during his lifetime. With some of the artist’s most famous plates printed in vibrant color and highlighted in gold and silver, the suite tripled its high estimate, selling to a collector for $106,250. The posthumous Eine Nachlese, 1931, with 30 plates by Klimt and text by Max Eisler, sold for $11,250.
Lot 195: Fernand Léger, Cirque, with 63 lithographs, Paris, 1950. Sold April 26, 2018 for $20,000.
Lot 117: Eric Gill, Naked Man Dead, original wood block carving with gesso, for the Golden Cockerel Press edition of The Canterbury Tales, London, 1929. Sold April 26, 2018 for $17,500.
A spectacular highlight was an original woodblock carving by Eric Gill for the Golden Cockerel Press edition of The Canterbury Tales, 1929. The image of Naked Man Dead appeared in the border ten times throughout the volumes ($17,500).
Each of the works by the Kelmscott Press, founded by William Morris, found buyers. The highlight was the second issue of the first book ever published by the press, The Story of the Glittering Pain, 1894, bound in vellum, which sold for $4,750.
Lot 81: Friedrich Wolfrum, Graphische Neuheiten Series II, with 48 plates, Vienna & Leipzig, 1907. Sold April 26, 2018 for $6,250, a record for the work.
An auction record was achieved for Friedrich Wolfrum’s Graphische Neuheiten Series II, 1907, a decorative work with samples of the latest designs for book design, frames, stationery and wallpaper, among other sundries. It was purchased by an institution for $6,250.