Women of Color Featured in African-American Fine Art: Fall 2019

 

At Auction October 8

Upcoming Highlights

 
five figures dancing by elizabeth catlett
Lot 142: Elizabeth Catlett, Dancing, color lithograph, 1990. $6,000 to $9,000.
 

At Swann, we’re lucky to contribute to an overall market correction, offering exceptional art by women of color, whose work on the themes of feminism and identity is increasingly being recognized by a more equitable marketplace. Some notable recent exhibitions and reading on this subject include She Persists: A Century of Women Artists in New York at Gracie Mansion, the official residence for the mayor of New York City; Augusta Savage: Renaissance Woman at the New York Historical Society; the traveling exhibition Soul of a Nation: Art in the Age of Black Power; and Women Take the Floor at the Boston Museum of Fine Arts.

 
   

Emma Amos

 

The auction includes three works by Emma Amos, whose figurative prints and paintings are increasingly being noticed by collectors and institutions. Amos was the only woman invited to show with the Spiral collective, and since the 1960s has taught, worked as a textile designer, and exhibited internationally. In 2019 Swann established an auction record for Amos when Let Me Off Uptown, 1999, sold for $125,000. The monotypes in the auction are from the artist’s significant 1980s body of work: Josephine and the Ostrich celebrates Josephine Baker, a repeated subject for the artist, and Slow Time relates to a series depicting African-American women in bathing suits or swimming.

 
Emma Amos, Josephine and the Ostrich, diptych of color monotype, stencil and color pastels with collage, 1984. $20,000 to $30,000.
Lot 126: Emma Amos, Josephine and the Ostrich, diptych of color monotype, stencil and color pastels with collage, 1984. $20,000 to $30,000.
 
two women in bathing suits by emma amos
Lot 125: Emma Amos, Slow Time, color monotype, color pastels, stencil and collage, 1983. $8,000 to $12,000.
   
 

Selma Burke

 
Lot 80: Selma Burke, Sadness, carved green marble, 1970. $12,000 to $18,000.
Lot 80: Selma Burke, Sadness, carved green marble, 1970. $12,000 to $18,000.
 
   

Elizabeth Catlett

 
Elizabeth Catlett, Seated Woman, carved mahogany, 1962. $100,000 to $150,000.
Lot 63: Elizabeth Catlett, Seated Woman, carved mahogany, 1962. $100,000 to $150,000.
 

Browse more sculpture in the Fall 2019 auction, including significant works by Elizabeth Catlett & Augusta Savage.

 
Elizabeth Catlett, Three Women of America, color screenprint, 1990.
Lot 140: Elizabeth Catlett, Three Women of America, color screenprint, 1990. $3,000 to $5,000.
 
Elizabeth Catlett, Blues, color offset lithograph, 1983.
Lot 127: Elizabeth Catlett, Blues, color offset lithograph, 1983. $4,000 to $6,000.
 
   

Zoë Charlton

 

Zoë Charlton is an Associate Professor of Art at American University in Washington, DC. Her work, which tackles themes of gender, intersectionality, identity, and isolation, has been exhibited at The Studio Museum in Harlem, The Contemporary Arts Museum Houston, and the Zacheta National Gallery of Art in Warsaw, Poland. To our knowledge, this is the first work by Charlton to come to auction.

 
Zoë Charlton, Untitled, from Suburban Squatters series, mixed media, 2006.
Lot 188: Zoë Charlton, Untitled, from Suburban Squatters series, mixed media, 2006. $3,000 to $5,000.
 
   

Augusta Savage

 
Augusta Savage, Lift Every Voice and Sing (The Harp), metal cast with patina, circa 1939. $15,000 to $25,000.
Lot 13: Augusta Savage, Lift Every Voice and Sing (The Harp), metal cast with patina, circa 1939. $15,000 to $25,000.
 
   

Carrie Mae Weems

 

Carrie Mae Weems’s photographic work in black and white is recognizable for its engagement with history and effective juxtaposition of imagery and text that highlights the racist stereotypes that run just beneath the surface of popular discourse. Weems’s 1995 See No Evil, Hear No Evil, Speak No Evil photographs were the first time the artist used color in her photography, the result of a collaboration with Polaroid. The images were originally shot on a 20-by-24-inch Polaroid camera—the first image of the triptych is now in the collection of the J. Paul Getty Museum.

 
Carrie Mae Weems, Black Woman with Chicken, silver gelatin print with printed text, 1987.
Lot 137: Carrie Mae Weems, Black Woman with Chicken, silver gelatin print with printed text, 1987. $15,000 to $25,000.
 
Carrie Mae Weems, Untitled (See No Evil, Hear No Evil, Speak No Evil), three chromogenic prints, 1995.
Lot 159: Carrie Mae Weems, Untitled (See No Evil, Hear No Evil, Speak No Evil), three chromogenic prints, 1995. $3,000 to $5,000.
 
 Carrie Mae Weems, White Patty, White Patty, You Don't Shine, Meet You Around the Corner, And Beat Your Behind, silver gelatin print with printed text, 1987.
Lot 136: Carrie Mae Weems, White Patty, White Patty, You Don’t Shine, Meet You Around the Corner, And Beat Your Behind, silver gelatin print with printed text, 1987. $20,000 to $30,000.
 
   

Laura Wheeler Waring

 

Pictured below, Laura Wheeler Waring’s oil portrait is of James Weldon Johnson, who is best known for writing Lift Every Voice and Sing. Sometimes referred to as the “Black National Anthem,” the song is also the title and subject of the Augusta Savage’s most famous work (pictured above).

 
Laura Wheeler Waring, James Weldon Johnson, oil on canvas, circa 1943.
Lot 18: Laura Wheeler Waring, James Weldon Johnson, oil on canvas, circa 1943. $10,000 to $15,000.
   

African American Fine Art: Fall 2019

From Abstract Expressionists to Color Field Painters

Fine Sculpture by African-American Artists


 

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