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331
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(MOTHER GOOSE MIRROR.) Laurie & Whittle.
Harlequin and Mother
Goose: or The Golden Egg. The Sub-marine Pavilion. Mother Goose, uniting
Harlequin and Columbine.
Very curious 19th century survival, featuring a hand-
colored engraved sheet with border vignettes enclosing a blank center, to be placed behind
a sheet of glass with applied silvering to be positioned over the blank center of the print,
470x370 mm sheet and glass size; some minor toning to the printed sheet; framed.
London: Laurie &Whittle, March 25, 1807
[250/350]
332
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(NATURAL HISTORY.) Goldfuss,GeorgAugust.
Group of 13 lithographed plates
of natural history subjects,
including 3 colored plates picturing birds, 5 uncolored plates
picturing monkeys, and the remainder being uncolored plates of sea creatures, etc., on folio sheets;
some foxing, one bird plate stained, other minor faults. Dusseldorf, 1824-43
[250/350]
333
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(NATURAL HISTORY.) Knorr, Georg Wolfgang.
Group of 6 hand-colored
natural history plates,
from Delices Physiques Choisies, including 3 of coral, one of an
animal skull, one of an antelope, and the last a group image of tortoise shells, on folio sheets.
Nuremberg, 1767
[150/250]
334
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PUFENDORF, SAMUEL; Baron.
Group of 9 engraved double-page or
folding battleplans or scenes representing the King of Sweden’s life,
from De
rebus a Carolo Gustavo Sueciae, various sizes; each with dampstaining in 2 corners or
margins, touching image on several. Nuremberg, 1696
[200/300]
335
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(WASHINGTON, GEORGE.) Baillie, J.
Washington’s Reception by the Ladies
on the Bridge at Trenton.
Small format hand-colored lithographed print, 13
1
/
2
x9
1
/
4
inches;
margins trimmed, few repairs on verso at edge, lacking small portion of lower right corner
(not affecting image or caption); framed. NewYork, 1848
[150/250]
A common theme in 19th century American patriotic lithography, but we find only one
institutional holding.
336
WEST, BENJAMIN.
La Mort du GénéralWolf à Quebec.
Engraved print by De
Launay afterWest, 330x405 mm, ample margins; some light foxing in margins; linen-backed.
Paris:Tessari, circa 1780
[150/250]
331