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ALPHONSE MUCHA (1860-1939)

196

WORLD’S TOUR OF M’

ME.

SARAH BERNHARDT. Circa 1914.

80

1

/

8

x39

3

/

4

inches, 203

1

/

2

x101 cm. Carey Print,

New York.

Condition B / B-: extensively-overpainted and restored

margins; repaired tears, restored losses, creases and

overpainting along vertical and horizontal folds. Two-

sheets. Framed. Unexamined out of frame.

Sarah Bernhardt made her first American tour in

1896, by which point she was already an

international star, taking with her a variation of

one of the posters Mucha had designed for her

in Paris. “As was the case with all these versions,

it mentioned no name of the play, nor did it

mention that the plays for which the design was

originally used were presented on this tour”

(Rennert / Weill p. 108). Among Mucha’s famous

posters for the actress that were reused to promote

her American appearances were Gismonda (see

previous lot),

La Dame aux Camelias

,

Tosca

and

this, the

RAREST

featuring an image of

Lorenzaccio

.

This “tour” which was in many ways the actress’s

final act, as she was already in her late 60s, World

War I had broken out, and in 1916 she had her

leg amputated below the knee, but kept

performing. In fact, it is uncertain how much if

any of this tour actually took place, which might

explain the scarcity of the image. Note how it is

referred to as a “World’s Tour” and not an

American Tour. Rennert and Weill cite a poster

that sounds identical to this one, as being used

for the actresses 1910-1911 tour, but it is not

pictured and no image has ever surfaced. For this

poster, the anonymous American lithographer

knew that they would be unable to match the

sophistication and skill of French lithographers,

so they interpreted the poster in a simplified

manner. Some of the ornamentation from

Lorenzaccio’s robe has been removed and the

color scheme has been radically altered to consist

solely of shades of blue and green. The result is

excellent, as the figure of Lorenzaccio stands out

much more clearly than in the original. Although

a copy was reproduced in The Spirit of Art

Nouveau (see page 54), this is

RARE

, as we have

seen no other copies at auction. Spirit of Art

Nouveau p. 54, Brno 6 (var), Mucha / Henderson

61 (var), Mucha / Bridges A10 (var), Reade 7

(var), Lendl p. 47 (var), Triumph des Jugendstils 6

(var), Art Nouveau p. 111 (var), DFP-II 626 (var).

[7,000/10,000]