Table of Contents Table of Contents
Previous Page  218 / 242 Next Page
Information
Show Menu
Previous Page 218 / 242 Next Page
Page Background

ALPHONSE MUCHA (1860-1939)

215

RUSSIA RESTITUENDA. 1922.

31

1

/

8

x18

3

/

8

inches, 79

1

/

8

x46

1

/

2

cm. Melantrich, Prague.

Condition A / A-: minor creases, abrasions and slight darkening in margins. Framed.

This, “one of Mucha’s most moving posters . . . was a plea for help for starving Russian children during

the war between the Bolsheviks and the White Russians. Between 1918 and 1922, the economic

situation in Russia became desperate, and western countries including the United States sent shipments

of food and grain. The Russian government had to allow partial restoration of previously nationalized

private land so that the land could be more efficiently cultivated. The title of the poster consists of only

two words in Latin [‘Restore Russia’], which can be understood by the speakers of many languages. It

means Russia must be restored to conditions suitable for human life. Mucha elevated the sorrowful

woman holding an exhausted child beyond the meaning of Mother Russia with her gaunt ward by

placing circular forms behind their heads, invoking the halos of the Madonna with the Christ child. Two

wounded doves in the upper corners signify a Slavic nation that would die without aid, and the hearts

in the lower corners express hope in human compassion” (Spirit of Art Nouveau p. 181). Lendl p. 288,

Brno 69, Grand Palais A76, Rennert / Weill 109, Mucha / Henderson 111, Mucha / Bridges A68,

Triumph des Jugendstils 211, Spirit of Art Nouveau 40.

[2,000/3,000]