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“I DON’T ACTUALLYWORK BY ARTIFICIAL LIGHT AFTER HOURS”

306

ROCKWELL, NORMAN.Two Typed Letters Signed, “Norman,” to fellow artist

and founder of lighting company Verilux Howard Scott. The first, praising him for his

“Post” covers.The second, inquiring about improving the artificial light in his studio. Each

1 page, square 8vo or 4to, personal stationery; ink receipt stamp at upper right and tele-

phone number written in unknown hand at lower right of 1966 letter.

Arlington, 20 March 1943; Stockbridge, 28 June 1966

[400/600]

1943: “What on earth could please an illustrator more than to hear that a fellow craftsman

liked his work . . . .”

1966: “I do have a problem with artificial light late in the afternoons, beginning in October

through January. I don’t actually work by artificial light after hours. . . .”

307

SEARLE, RONALD. Graphite drawing, cartoon caricature of a schoolgirl, Signed

and Inscribed: “Christine / Authentic / Portrait by / Ronald Searle.” 4x7 inches; minor

scattered creases, minor scattered smudging, remnants of mounting at center verso.

[LasVegas, 1969]

[300/400]

308

VAN VECHTEN, CARL. Two items, each Signed, “Carlo V.V.,” to civil rights

leader Arthur B. Spingarn: Brief Autograph Postcard * Typed Letter. The postcard: “You

see I’ve gone western[?] again.” The verso is a photograph showing a village of adobe

buildings. Oblong 12mo; postage stamp and postal markings on correspondence side (not

affecting signature). The letter, asking to give the numbers corresponding to the pho-

tographs that his wife selected, speculating that he cannot reach Walter [White?] because

he is busy in Washington, and noting that checks are coming in for the “Fund.”

1

/

2

page,

4to, personal stationery; horizontal fold.With the original envelope.

Np, 4 January [1927: from postmark];

NewYork, 13 February [1940: from postmark]

[80/120]

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