122
●
CHARLES ATAMIAN.
Fresh flowers. Ink and wash on paper, heightened in white. 375x279 mm; 14
3
/
4
x11 inches.
Signed and dated “Ch. Atamian 1910” in lower right image. Paper slightly age-toned.
Archivally matted and framed.
[600/900]
123
●
EARLE K. BERGEY.
“March 28 Sunday.” An early work created while Bergey was still attending the
Pennsylvania Academy of Fine Arts, just prior to his first job at
The Philadelphia Ledger.
Oil on canvas. 660x610 mm; 26x24 inches. Signed and dated “E.K. Bergey, [19]26” in
lower right image. Craquelure mainly to areas of white.
[600/900]
124
●
ROSEMARY LAWRENCE.
Weary Pilgrims. Ink and gouache on board. 184x470 mm; 7
1
/
4
x18
1
/
2
inches. Signed and
dated 1923 in lower left. Long abrasion through middle of the image, other minor surface
wear, lower right corner creased.
[250/350]
122
123
124