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3

JACKSON POLLOCK

Parsons Gallery Poster

.

Offset lithograph printed in black on cream wove paper, 1951. 435x558 mm; 17

1

/

8

x22

inches (sheet), full margins. Printed by Acme Press, NewYork.A very good impression of

this scarce poster.

By 1950, Pollock (1912-1956) was lionized by many, including the gallerist Betty Parsons

and art critic Clement Greenberg, as the leader of the Abstract Expressionists. An

exhibition in the same year at the Betty Parsons Gallery proved such: featuring his

renowned “drip” paintings

Autumn Rhythm

and

One

, now at the Metropolitan Museum

of Art and The Museum of Modern Art, New York, respectively. But in 1951, Parsons

exhibited Pollock’s newest work, a series of paintings devoid of color, completed

exclusively in black enamel on untreated canvas. His seeming turn from abstract to

figurative and “drip” painting to hands-on drawing baffled many in the art world and to

some signaled his decline. Pollock reproduced designs for six of the black enamel paintings

in screenprint to coincide with the exhibition. O’Connor/Thaw P 26.

[1,500/2,500]