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ALPHONSE MUCHA (1860-1939)

95

MEDEE / SARAH BERNHARDT. 1898.

81

1

/

2

x29

5

/

8

inches, 207x75

1

/

4

cm. F. Champenois, Paris.

Condition B+ / A-: repaired tears, restored losses and minor restoration in

margins, some affecting text. Two-sheets. Framed. Unexamined out of frame.

The production of

Medee

advertised here was a contemporary adaptation

of a play originally written by Euripides. A classic, violent Greek tragedy

about the warrior Jason, the play begins when he returns home from his

quest for the Golden Fleece, bringing with him Medea. When he falls in

love with another woman, Medea, “driven by a pagan code of honor and

her own dark passions . . . conceives a terrible vengeance of gothic cruelty:

she kills Jason’s father, her own two children, and his new mistress, so that

he would have to go through life deprived of everything he loved” (Rennert

/ Weill p. 208). The somber and tragic image depicts a glimpse of the

slaughter, with Medea, a mad look in her eyes, standing with a bloody

dagger over one of her victims. “Mucha’s exquisite design uses Medea’s arm

and the dagger as a giant exclamation point, emphasized by the look of

stark horror on her face as she exacts her gothic revenge. It is one of

[Mucha’s] most powerful posters” (Lendl p. 53). “It carries all the signs of

Mucha’s masterpieces in composition and color as well as the decorative

certainty with which he left the bottom two-thirds of the background

white” (Spirit of Art Nouveau p. 151). The composition is organized

vertically with Mucha’s trademark “halo” behind the actress’ head, and

lettering designed in the style of mosaic to evoke the story’s origin in

ancient Greece. Sarah Bernhardt was so enamored with the snake bracelet

that Mucha depicted adorning her arm that she actually had one made by

Fouquet for her to wear. Rennert / Weill 53, DFP-II 645, Lendl p. 53,

Brno 35, Mucha Grand Palais 93, Darmstadt 80, Mucha / Henderson 80,

Mucha / Bridges A33, Triumph des Jugendstils 12, Art Nouveau p. 111,

Spirit of Art Nouveau 13, Abdy p. 138.

[12,000/18,000]