Sale 2518 - African-American Fine Art, October 8, 2019

B I B L I O G R A P H Y Aaron Douglas:African American Modernist . New Haven, Conn:Yale University Press in association with Spencer Museum of Art,The University of Kansas, 2007. Acton, David,Thomas H. Garver, and John Loring. Jones Road Print Shop and Stable: 1971-1981:A Catalogue Raisonne . Madison,WI: Madison Art Center, 1983. Amaki,Amalia K., and Andrea Barnwell Browlee. HaleWoodruff, Nancy Elizabeth Prophet and the Academy .Atlanta: Spelman College Museum of Fine art, 2007. Ball, Edward. The Sweet Hell Inside:A Family History . NewYork:William Morrow, 2001. Bearden, Romare, and Harry Henderson. A History of African-American Artist: From 1792 to the Present. NewYork: Pantheon Books, 1993. Biggers, John. Ananse, theWeb of Life in Africa .Austin: University of Texas Press, 1962. Binion, McArthur. McArthur Binion: Simplicism . NewYork, NY: G.R. NNamdi Gallery, 2005. Binstock, Jonathan P. Sam Gilliam:A Retrospective . Berkeley and Los Angeles: University of California Press, 2005. Bowles, John P.“New Negro on the Pacific Rim: Sargent Johnson’s Afro-Asian Sculptures.” East-West Interchanges in American Art:A Long andTumultuous Relationship , 2012, 142–57. Caro, Julie Levin,Allan Rohan Crite, Mark Pomerantz, Barbara Earl Thomas, and Edmund B. Gaither. Allan Rohan Crite Artist-Reporter of the African American Community: Seattle: Frye Art Museum in association with the University ofWashington Press, 2001. Corlett, Mary Lee. From Process to Print: GraphicWorks by Romare Bearden. Petaluma, CA: Pomegranate Communications, 2009. Delmez, Kathryn E. Carrie MaeWeems:Three Decades of Photography andVideo . Nashville,TN: Frist Center for theVisual Arts, 2012. Earle, Susan. Aaron Douglas:African American Modernist. New Haven:Yale University Press, 2007. Fine, Ruth. The Art of Romare Bearden, 1911-1988. Washington, DC:The National Gallery of Art, in association with Harry N.Abrams, Inc., NewYork, 2003. Fine, Ruth. Norman Lewis. Procession:The Art of Norman Lewis. Philadelphia: Pennsylvania Academy of Fine Arts and University of California Press, 2015. Gedeon, Lucinda Heyel. Introduction to theWork of CharlesW.White with a Catalogue Raisonne. Los Angeles: University of California, 1981. Gelburd, Gail and Alex Rosenberg. A Graphic Odyssey: Romare Bearden as Printmaker. Philadelphia: University of Pennsylvania Press, in association withThe Council of Creative Projects, NewYork, 1992. Golden,Thelma, and JudithWilson. BobThompson . Berkeley: University of California Press, 1997. Goyette, Caroline. Beyond the Blues: Reflections of African America in the Fine Arts Collection of the Amistad Research Center . New Orleans, LA:Amistad Research Center, 2010. Hayes, Jeffreen M. Augusta Savage: RenaissanceWoman . Cummer Museum of Art & Gardens, Jacksonville, Florida in association with D Giles Limited, London, 2018. Heydt, Stephanie Mayer. Rising Up: HaleWoodruff’s Murals at Talladega College. Atlanta High Museum of Art, 2012. Herzog, Melanie Anne. Elizabeth Catlett:An American Artist in Mexico. Seattle: University of Washington Press, 2000. Holland, Juanita M. and Keith G. Morrison. Narratives of African American Art and Narratives:The David C. Driskell Collection. San Francisco, CA: Pomegranate Press, 1998.