Sale 2526 - Illustration Art, December 10, 2019

26 c EDOUARDO BENITO. “After the Opera.” Illustration for Vogue, circa 1925 and reprinted in the December 1973 issue in the short review “Benito Revisited,” for the 1974 exhibition at the Spanish Institute. Pen and ink with correction fluid on paper. 225x350 mm; 8 3 / 4 x13 3 / 4 inches. Signed in upper left image. Hinged to matte; framed. Ex-collection Robert L.B. Tobin, Texas art patron and collector of theater design. Exhibited: Spanish Institute; New York Cultural Center February 6-March 12, 1974. [2,500/3,500] 26 27 27 c PAUL IRIBE. “The Audacious Note of Modernism in the Boudoir.” Illustration for Vogue , published June 15, 1919. Pen, ink, and ink wash on paper. 225x209 mm; 9x8 1 / 4 inches, on 12 1 / 2 x10 1 / 2 -inch paper. Signed “Paul Iribe” in lower right image. Tipped to window matte; framed. [1,500/2,500] 28 c GERDA WEGENER. Peeking around the door * “Woman à la toilette.” Together, two pen and ink illustrations likely for Gyraldose or Malaceïne toiletries, circa 1920. The first on paper, 114x51 mm; 4 1 / 2 x2 inches, image; Signed in ink, lower right corner. The second on board, 83x45 mm; 3 1 / 4 x1 3 / 4 inches, image; initialed in lower right. Both identically archivally matted and framed to 14 1 / 2 x13 inches. [700/1,000]