1: Heinrich Aldegrever The Severe Father. Engraving, 1553 114x 79 mm: With thread margins or trimmed on the plate mark. A fine, dark impression. Bartsch 73; Hollstein 73

2: Cornelis Bega Collection of 17 etchings. Circa 1650 Includes impressions of Bartsch 10-12, 16-20, 23, 25-31 and 34 Various sizes and conditions.

3: Hans Sebald Beham Two Lovers Woodcut, 1522 126x 87 mm: small margins Second state (of 2). A fine impression. Bartsch 161; Pauli 1229

4: Hans Sebald Beham Two engravings. March and April, circa 1546-47 Second state (of 3). A very good, dark impression * Cleopatra Seated, circa 1545 Bartsch 155 and 77; Pauli 178 and 81 With Georg Pencz. The Conversion of St. Paul, engraving, 1545

5: Hans Sebald Beham Three woodcuts. The Betrayal, 1535 * The Crucifixion, 1535 Portrait of Hess. Various sizes and conditions. The first two Bartsch 86 and 90; Pauli 820 and 824

6: Blake ( after Hogarth) Beggar's Opera, Act Iii. Engraving and etching, 1788-90 450x 585 mm; Fourth state (of 4). Very pale stain lower left, 1-inch margins 3 sides, trimmed to the plate mark upper margin. A very good, well-inked impression. Essick

7: Niccolo Boldrini (after Titian) Venus iti Cupid in the Woods. Woodcut, 1566 312x 233 mm; Trimmed on or just inside the border line. A fine, early impression on thin cream laid paper. Baseggio 14; Mauroner 31; Oberhuber 177; Dreyer 21

8: Francesco Brizio St. Fra in Prayer. Engraving, circa 1600 177x125 mm thread margins. First state (of 2). Bartsch 7 With-Cherubino Alberti Zeus and Antigione, engraving. 164x150 mm; small margins. First state (of 2). Coat- of-arms with the letter M

9: Pieter Bruegel (after) The Wedding of Mopsis and Nisa. Engraving, 1570 223x 290 mm; small to thread margins. First state (of 4). Gothic letter P watermark. A superb, early impression on thin cream laid paper, with warm plate tone and fine vertical

10: Pieter Bruegel (after) The Death of the Virgin. Engraving, 1574 310x 411 mm; Second state (of 2). Foolscap watermark. Trimmed on or just inside the plate mark, restored losses upper left and lower left edges. A good impression. Hollstein 116; Lebeer

11: Jacques Callot (after Salimbeni) The Entombment. Etching, circa 1610 172x116 mm; Trimmed on the plate mark. A very good impression of this scarce print. Lieure 49 With-Stefano Della Bella. Two Horsemen Fording a River, etching. First state (of 2) * A

12: Jacques Callot Le Mar" de St. Sebastien. Etching, 1630 162x 331 mm; small margins. Second state (of 2). Indiscernable watermark. A very good impression. Lieure 670 With-A collection of approximately 40 etchings by and after Callot, including

13: Jacques Callot Les Petits Apotres. Set of 9 (of 12 etchings, circa 1630 Each approximately 74x 46 mm; Each in the first state (of 4). Brilliant impressions with strong inking and scharp contrasts. With-La Petite Passion, complete set of 12 etchings.

14: Jacques Callot Les Grandes Miseres de la Guerre. Set of 17 (of 18 etchings, 1633 Each in the second state (of 3), but Lieure 1339 in the third state (of 3). Most sheets with a coat-of- amis with a horn watermark Lieure 45 Ex- collection Craddock &

14a: Jacques Callot Group of 7 etchings. Circa 1630 Includes impressions of Lieure 441, 50- and 1305, as well as figures of the saints from the calendar. With-Salvator Rosa. Soldier with a Mace, Seen from Behind, etching * Man with Right Arm Outstretched,

15: Antonio Canal, L Canaletto Imaginary View of Padua. Etching, circa 1740 304x 432 mm; 12x17 wide margins. Third state (of 3). The letter R watermark (Bromberg 49 Very pale scattered marginal spotting. A very good impression with strong contrasts.

16: Antonio Canal, L Canaletto View of a Town on a River Bank. Etching, circa 1740 297x 430 mm; wide margins. First state (of 2). Coat- of-arms with the letter C watermark (cf. Bromberg 25 and 27 A superb, clean impression with strong contrasts and inky

17: Antonio Canal, il Canaletto The Bishops Tomb. Etching, before 1744 220x130 mm; Ex-collection Ernst von Feder (Lugt 923, verso) and John Cantaculzene, pencil inscription verso (not in Lugt). Trimmed on the plate mark. A fme impression. DeVesme 29;

18: Agostino Carracci Virgin and Child with Saints Jerome and Mary Magdalen. Engraving, 1586 435x 332 mm; Titled just outside the border line 3 sides and into the plate mark lower margin. A fine impression. Bartsch 95; Bohlin 142 With- Master, G.A.I.F.

19: Annibale Carracci (after) Three etchings. Lamp and Funnel Vendor * Chair Vendor. Both etched by Simon Guillain II. Nagier 327 Landscape with a Harbor, circa 1650 First state (of 2). Etched by jacques Rousseau. A superb impression with strong plate