1: Andrea Andreani (after Ligozzi) Virtue. Chiaroscuro woodcut printed in cream, tan, brown and black, 1585 473x 320 mm; Second state (of 2) Crown with an eagle watermark (Briquet 207 Trimmed on or Just inside the border line, repaired horizontal crease

2: Andrea Andreani (after Rafaellino da Reggio) The Entombment. Chiaroscuro woodcut printed in cream, brown, tan and black, 1585 408x 321 mm; Ex- collection E. Schultze (Lugt 906, verso). Several repaired tears, mainly around the head of Christ, trimmed

3: Hans Baldung Groem The Last Judgment Woodcut circa 1505-7 262 x 175mm Second state of 2 Coat of arms watermark Trimmed on or just outside the border line A fine impression Though catalogued by Bartsch as Durer's work this print is now accepted as one

4: Hans Sebald Beham Coat of arms with a Rampant Lion Engraving 1544 70 x 59mm inches hexagonal thread margins Second state of two Ex collection Frederic R Halsey Lugt 1308 verso A fine impression of this scarce print Bartsch 255 Pauli 266

5: Jacob Binck The Virgin Crowned by An Angel Engraving 1526 100-73 mm Second state of two ex collection Kunsthalle Bremen Lugt 292 and 293 verso With thread margins or trimmed on the plate mark, small repaired puncture center below Christ's left foot A

6: Hieronymus Bosch (after) The Last Judgment. Engraving, circa 1550-60 337x 495 mm; small margins. Second state (of 2), with the address of Snyders. Coat-of-arms watermark. Expertly repaired "v" shaped tear (2 inches long), lower left corner. A very

7: Jacques Callot Le Char de Thetis. Etching, 1616 150x 227 mm; small margins. First state (of 2). A very good impression. Lieure 179

8: Jacques Callot Le March d'Esclaves. Etching, 1629 116x 218 mm; small margins. Second state (of 6). Coat- of-arms with a bugle Lieure 44-49 Ex- collection Johann Konrad ammann (Lugt 9, verso). A very good impression. With-Another impression. Sixth

9: Antonio Canal, Il Canaletto La Torre di Malghera. Etching, circa 1744 304x 437 mm; wide margins. Second state (of 3). The letter R watermark (Bromberg 50 Extremely pale marginal mat stain, pale scattered soiling verso edges. A superb impression with

10: Giovanni Marila Cassini (after Miccinelli) Veduta del Profila della Citta di Roma delineata dal Palazzo di Villa Medici ... Etching, 1807 515x 2615 mm; wide margins.Water staining lower edge into the plate mark, tear lower center into the plate mark,

11: Giovanni B. Castiglione Group of 5 etchings. Bearded Man Wearing a Cap * Young Man with his Eyes Lowered *Young Man with his Head Lowered * Young Man Sounding a Trumpet * Bearded Old Man with his Head and Eyes Lowered. Each ex-collection Friedrich

12: Et Delaune Etienne Delaune Rhetoric * Astronomy * Jurisprudence Theology. Each circa 1535 Two sheets with a bull's head and house watermark. From the Seven Liberal Arts. Various sizes and conditions. Very good impressions. Robert- Dusmenil

13: Etiebnne Duperac I Vestigi dell' antichita di Roma ... Volume with 40 etched plates, 1575 258x 420 mm; (sheets). First edition. The etchings mounted on laid paper, each with a decorative ink border on the mount. Full calf binding. Spine split, covers

14: Albrecht Durer Rustic Couple. Engraving, circa 1497-98 107x 76 mm; A fine Meder b impression, before the multitude of scratches on the plate, on thin laid paper. Trimmed on the plate mark, soiling at extreme edges of sheet. Bartsch 83; Meder 86

15: Albrecht Durer The Virgin on the Crescent. Engraving, circa 1498-99 108x 74 mm; A good, evenly printed Meder b-c impression on cream laid paper. Trimmed on or Just inside the plate mark. Bartsch 30; Meder 29

16: Albrecht Durer The Flagellation. Woodcut, circa 1497-1500 387x 275 mm; A fine, black impression from the 1511 Latin text edition. Several worm holes, edges reinforced verso, trimmed Just outside the border line. With-Hercules Conquering the Molionide

17: Albrecht Delaune Nemesis. Engraving, circa 150 2 32Ox 225 mm; A strong Meder 2a impression. Trimmed on the plate mark, inside the plate mark at the upper and lower edges, several repaired horizontal tears and short vertical tears, laid down on tissue

18: Albrecht Durer Coat-of-Arms with a Lion and a Cock. Engraving, circa 1503 185x120 mm; A very good Meder a impression. High crown watermark (Meder 20 Ex-collection Hippolyte Dreux (?) (Lugt 1303, verso). Trimmed on the plate mark, several short

19: Albrecht Durer Presentation of the Virgin in the Temple. Woodcut, circa 1504- 5298 x 210 mm; A fine Meder a-b impression, after the 1511 Latin text edition. Trimmed on the border line, scattered losses upper left corner with additions in pen and ink,

20: Albrecht Durer The Large Horse. Engraving, 1505 165x117 mm; thread margins. A good Meder c impression. Ex- collection unknown collector, pale inscription in ink lower center recto. Bear watermark (Meder 87 Several reinforced scattered skinned areas