Pictures

345: LUIGI KASIMIR LUIGI KASIMIR London, tower bridge. Color aquatint andetching, circa 1922. 324x449mm; 12.75 x17.5 in., full margins. Signedin pencil, lower center. A very good impression with strong colors.

346: LUIGI KASIMIR Fleet Street, London. Color etching and aquatint, 1925 491x326mm; 19.375 x12.875 in., full margins. Signed and numbered 84/150 in pencil, lower margin. A very good impression. A very good impression. etching and aquatint, 1944.

347: LUIGI KASIMIR Amalfi. Color etching and aquatint. 490x585mm; 22.875 x19.375 in., full margins. Signed, titled and inscribed "Probedruck" in pencil, lower right. A very good impression.

347a: LUIGI KASIMIR Two color etchings with aquatint Ostrich am Rhein, circa 1915. 296x266mm; 11.75 x10.5 in., full margins. Signed in pencil, lower center. A superb impression * Wein, 1911. 299x220mm; 1175 x8.625 in., full margins. Published by

348: LUIGI KASIMIR Two color etchings with aquatint. Salzburg. 360x670mm;14.25 x26.375 in., wide margins * Salzburg, St. Peter's. 343x270mm; 13.625 x10.625 in., wide margins. Both signed in pencil, lower center Both good impressions with strong colors.

349: ALEX KATZ Olympic Swimmer. Color screenprint, 1976. 1015x635mm; 40x25 in., full margins. Signed and numbered 137/200 in pencil, lowerleft. Printed by Chiron Press, New York. Published by Kennedy Graphics, New York. A fine impression with strong

350: ALEX KATZ The Gray Umbrella. Color lithograph, 1979-80. 514x765mm; 20x30.25 in., full margins. Signed and numbered 89/120 in pencil, lower left. Printed by Styria Studio, New York. Published by GHJ Graphics, New York. A good, clean impression.

351: ALEX KATZ Ada Four Times. Set of 4 color lithographs with screenprint, 1979-80. Each 762x572mm; 30x22.5 in., full margins. Edition of 120. Each signed and numbered in pencil, lower margin. Printed by Styria Studio, New York. Published by GHJ

352: ALEX KATZ Three prints. Kenneth Koch: Portrait of a Poet, color lithograph, 1970. Signed and numbered 118/200 in pencil, lower margin* Susan, color screenprint, 1976. Signed and numbered 23/175 in pencil, lower left * Caroline, color lithograph,

353: ROCKWELL KENT Sleeping Man. Brush and ink on heavy cream wove paper, 1919. 175x225mm; 6.875 x8.875 in.. Signed, dated and inscribed "Alaska" in ink, lower right. Kent and his son spent most of 1918-19 on Fox Island, Alaska, 12 miles offshore from

354: ROCKWELL KENT Man in Water. Brush and ink on cream wove paper, circa 1920. 145x218mm; 5.75 x8.625 in.. Signed in ink, lower right. Titledin pencil, verso. In good condition.

355: ROCKWELL KENT Mother and Child. Black chalk on cream wove paper. 398x268 mm; 15.75 x1.625 in.. With the artist's ink stamp, lower right. Small.75in horizontal tear at center right edge of sheet. E1000-1500 [SEE ILLUSTRATION OVERLEAF]

356: ROCKWELL KENT Revisitation. Lithograph, 1928. 216x350mm; 8.625 x13. 875 in., full margins. Edition of 100. Signed and titled in pencil, lower margin. A very good, clean impression. Burne-Jones 22.

357: ROCKWELL KENT Meditation. Lithograph, 1929. 265x187mm; 10.5 x7.375 in., full margins. Edition of 100. Signed in pencil, lower right. Marginal mat stain. Burne-Jones 35.

358: ROCKWELL KENT Susanna. Lithograph, 1929. 195x141mm; 7.625 x5.5 in., full margins. Edition of 100. Signed in pencil, lower right. A very good, clean impression. Burne-Jones 38.

359: ROCKWELL KENT Girl on Cliff (The Abyss). Wood engraving, 1930. 165x122mm: 6.5 x4.75 in., wide margins. Edition of 1700. Signed in pencil lower right. Printed for the Literary Guild of America. A good dark impression. Burne-Jones 57. E700-1000 [SEE

360: ROCKWELL KENT Building the Temple. Wood engraving, circa 1940. 298x385mm; 11.75 x15.125 in., full margins. Signed in pencil, lower margin. Mat stain. A good, dark impression. Not in Burne-Jones.

361: ROCKWELL KENT Heavy, Heavy Hangs Over Thy Head. Lithograph, 1946. 230x303mm; 9.125 x12 in., full margins. Edition of 100. Signed in pencil, lower right. A very good impression. Burne-Jones 137.

362: ROCKWELL KENT Two lithographs. Greenland Hunter, 1933 * Young Greenland Woman, 1933. Both 228x170mm; 9x6.75 in., full margins. Bothan edition of 150. Both signed in pencil, lower right. Both good, clean impressions. Burne-Jones 94 and 95.

363: JOHN KOCH Group of 4 drawings. Interior with a Figure Reading, blackand white chalks on brown laid paper, 1956. Signed and dated in pencil, lower right * Interior Study, pencil on cream wove paper. Signed in pencil, lower right, and inscribed "Study