1: HEINRICH ALDEGREVER Judith with the Head of Holofernes. Engraving, 1528. 83x56 mm; 3.25 x 2.25in. Trimmed on or just inside the plate mark. A good impression. Bartsch 34.
2: ALBRECHT ALTDORFER Solomon's Idolatry. Engraving, circa 1520-26. 62x41 mm; 2.5 x 1.625in. A very good, dark Winzinger b impression. Trimmed on the plate mark. Bartsch 4; Hollstein 4; Winzinger 136. With-JACOB BINCK. A Boy as a Drummer, engraving * A
3: JAN DE BAEN Burning of the Town Hall in Amsterdam. Etching, 1652. 268x335 mm; 10.625 x 13.25in, small to thread margins. A superb, richly-inked impression of this important print. Hollstein 1. E2, 500/3,500
4: HANS BALDUNG GRIEN The Lamentation. Woodcut, 1514. 223x157 mm; 8.75 x6.25in, thread margins. A very good, evenly printed impression. Bartsch 5; Hollstein 53; Mende 40.
5: FEDERICO BAROCCI (after) The Rest on the Flight into Egypt. Chiaroscuro woodcut printed in brown and tan on cream laid paper, circa 1611. 350x281 mm; 13.875 x 11.125in With thread margins or trimmed on the border line. A good impression. Bartsch 11.
6: PIETER BAST View of Amsterdam from the West. Etching printed on 2 sheets of thin cream laid paper, 1601. 259x760 mm; 10.25 x 30in. Coatof-arms with the letter B watermark (Heawood 2878, which he dates from around 1575). With thread margins or trimmed
7: JOHANN WILHELM BAUER Des vortrefflichen Komischen Poetens Publii Ovidii Nasonis Metamorphoseon. Bound volume with text and 151 etchings, 1641. 340x210 mm; 13.375 x 8.25in (sheets), wide margins. Early vellum and paste board binding. Good, strong
8: CORNELIS BEGA A Seated Peasant and his Wife. Etching. 78x50 mm; 3.125x 2in, small margins. First state (of 2). A superb, early impression,with inky plate edges. With-A Woman Carrying a Basket, etching. 110x74 mm; 4.375 x 3in. Second state (of 3).
9: HANS SEBALD BEHAM Head of Christ Crowned with Thorns. Woodcut, circa 1520. 496x323 mm; 19.625 x 12.75in Pauli's second state A (of 2 B), with the addition of Durer's monogram. Shield with a crown and the letters HH watermark (Meder 183).
10: HANS SEBALD BEHAM12 NICOLO BOLDRINI (after Titian) Samson and Delilah Woodcut, circa 1545. 312x505 mm; 12.375 x 19.875in. Trimmed on or just inside the border line, several minor skinned spots verso. A good impression of this scarce print. Tietze 11;
11: MARCUS DE BIJE (after Potter) Various Leopards. Complete set of 8 etchings, circa 1665. Each approximately 145x175 mm; 5.75 x 7in, small margins. Very good impressions of these scarce prints. With-( after Gerard). Various Bears, complete set of 16
12: NICOLO BOLDRINI (after Titian) Samson and Delilah. Woodcut, circa 1545. 312x505 mm; 12.375 x 19.875in. Trimmed on or just inside the border line, several minor skinned spots verso. A good impression of this scarce print. Tietze 11; Rosand/Muraro 48.
13: PIETER BRUEGEL (after) The Last Judgment. Engraving, 1558. 225x290 mm 8.875 x 11.5in Trimmed on or just inside the plate mark. A good, dark impression. Hollstein 21; Bastelaer 121; Lebeer 25.
14: PIETER BRUEGEL (after) Justice. Engraving, 1559. 226x291 mm; 8.875 x 11.5in, .625 - to 1in margins. Second state (of 2), with the letter Acompleted in the word Vivat in the legend below. The letter C watermark. A very good, evenly printed impression
15: PIETER BRUEGEL (after) Spring. Etching and engraving, 1570. 228x283 mm; 9x11.125in, thread margins. Hollstein's first state (of 2); Lebeer's first state (of 3), with the name of the publisher Hieronymus Cock. Engraved by Pieter van der Heyden, with
16: THEODORE DE BRY Arrogance and Folly. Engraving, 1558. 121 mm; 4.75in diameter), wide margins. Second state (of 2), with the foolscap on the head of the Pope and the change in the title. Rampant lion holding a crown watermark. Ex-collection Ducs
17: JACQUES CALLOT La Grande Chasse. Etching, 1619. 197x466 mm; 7x18in. Fourth state (of 4). Coat-of-arms with a name watermark. Trimmed on the plate mark. A very good, dark impression with the background details printing clearly. Lieure 353.
18: JACQUES CALLOT Benedictie (La Sainte Famille . la Table). Etching, 1626. 190x170 mm; 7.5 x 6.75in, small margins. Fourth state (of 4), with the initials of Silvestre. Foolscap watermark. Ex-collection Furst zu Furstenberg (Lugt 2811, verso). A superb
19: JACQUES CALLOT Les Deux Grandes Vues de Paris. Two etchings, 1630. Both approximately 165x345 mm; 6.5 x 13.625in, small to thread margins. One (Lieure 667) in the fourth state (of 5), the other ( Lieure 668) in the fifth state (of 5). Both
20: JACQUES CALLOT Les Grandes MisSres de la Guerre. Complete set of 17 etchings and etched title page, 1633. Each approximately 80x187 mm; 325 x 7.375in, thread margins. Each in the third state (of 3), Lieure 1356 in the fourth state (of 4). Full
