159

Ruth Plumly Thompson (1891-1976) & John R. Neill (1877-1943), illus.

Seven First Editions.

Seven first editions, all quarto; each including 12 full-color plates and black-and-white text illustrations throughout by Neill; various colors of cloth, pictorial labels affixed to the front boards, illustrated endpapers; including: 


1) The Royal Book of Oz. Chicago: The Reilly & Lee, Co., 1921. First printing; with the misprint in the caption of plate opposite page 255; bound in light-gray cloth, with the cover and spine attributing the authorship to Baum, all edges stained yellow (lacking jacket; offsetting from pressed flower to verso of one plate and opposite page; small marginal stain affecting a few leaves, occasional thumbing; very lightly rubbed, spine caps just pushed); 9 x 6 ½ in.

2) The Cowardly Lion of Oz. Chicago: The Reilly & Lee, Co., 1923. First printing; bound in dark-green cloth, with the non-standard ampersand in the publisher's spine imprint, all edges stained yellow (lacking jacket; creasing and soiling to a few plates, three neatly reattached with tape at gutter; staining to last two leaves, small open corner tear to page 15, two repaired marginal tears, one affecting text, pencil inscription to ownership leaf; soiling to cloth, rubbed and scratched, both hinges cracked, minor toning to endpapers, fading to edge stain); 9 x 6 ½ in.

3) Grampa in Oz. Chicago: The Reilly & Lee, Co., 1924. First printing; with the numeral perfect and undamaged on page 171; bound in brick-red cloth, all edges stained yellow (lacking jacket; scattered minor stains and thumbmarks, occasional offsetting from illustration, ink gift inscription to ownership leaf; very lightly rubbed at corners, spine caps just pushed); 9 x 6 ½ in.

4) The Lost King of Oz. Chicago: The Reilly & Lee, Co., 1925. First printing; one of the earliest copies, with perfect type for the letter "k" on page 193 and plates coated on one side only; bound in medium-blue cloth, all edges stained yellow (lacking jacket; scattered minor stains, short marginal tear to one page, few corner creases; spine darkened, lightly rubbed, extremities bumped, staining to lower board, offsetting and few small stains to endpapers); 9 x 6 ½ in.

5) Jack Pumpkinhead of Oz. Chicago: The Reilly & Lee, Co., 1929. First printing; bound in greenish-gray cloth, all edges stained yellow (lacking jacket; sporadic minor stains and thumbmarks; spine sunned, lightly rubbed and bumped, spine caps just pushed, small stains, offsetting to flyleaves, bookseller's label to lower pastedown); 9 x 6 ½ in.

6) Ojo in Oz. Chicago: The Reilly & Lee, Co., 1934. First printing; bound in binding A: light-tan cloth, with the publisher's spine imprint in boldface type (lacking jacket; one plate with vertical crease; scattered minor stains, occasional pale offsetting; cover label lightly rubbed, faint toning to endpapers, paper splitting at hinges); 9 x 6 ½ in.

7) The Wishing Horse of Oz. Chicago: The Reilly & Lee, Co., 1935. First printing; bound in dark-green cloth, blank endpapers (lacking jacket; sporadic marginal foxing, pale offsetting from some illustrations; lightly rubbed, bumped, minor spots, both hinges split); 9 x 6 ½ in.

From the Michael Charles Collection of L. Frank Baum and Oz books.

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  • Condition: Please contact us to request a condition report:
    Devon Eastland, Senior Specialist: [email protected]
    Grace Meschery-McCormack, Cataloguer: [email protected]


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