Page 95 - Swann Galleries - Maps & Atlases, Natural History & Historical Prints, Ephemera - Sale 2317 - June 6, 2013
Basic HTML Version
324
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(BOOK ILLUSTRATION—ENGLISH.) Payne, Dorothy.
“The Harpies.”
Large
pen-and-ink illustration for Charles Reade’s Cloister and the Hearth, showing the strong
influence ofWalter Crane on her work, 350x235 mm (13
3
/
4
x9
1
/
4
inches); Signed and the bottom
of the image, titled in pencil beneath the image; matted. England, nd
[200/300]
325
●
(BOOK ILLUSTRATION—ENGLISH.)
Group of 5 pen-and-ink or graphite
book illustrations.
Various sizes. England, vd
[250/350]
Shepard, Ernest Howard (1879-1976). Untitled illustration for the 1928 edition of Kenneth
Grahame’s The Golden Age, 270x195 mm (10
1
/
2
x7
1
/
2
inches); initialed lower left, Signed in full on
verso * Browne, George Frederick (1858-1932). Possible illustration for Stevenson’s Island Nights
Entertainment, 285x360 mm (11
1
/
4
x14 inches); Signed lower right and dated 93 * Menzies,William.
Illustration for England’s Yeoman. 290x245 mm (11
1
/
4
x9
1
/
2
inches); Signed lower right * Keene,
Charles Samuel (1823-1891). Untitled scene in a railroad coach, 115x195 mm (4
3
/
4
x7
1
/
2
inches);
Initialed lower right * Brock,Charles Edward (1879-1938). Illustration forWaugh’s Charles Dickens,
possibly for the Nonesuch edition of Dickens, 250x340 mm (10x13
1
/
4
inches); Signed on the image.
326
●
(BOOK ILLUSTRATION—
SCIENCE FICTION.) Finlay,Virgil.
Pen-
and-ink illustration for Biddy and the
Silver Man.
Two-page illustration, 10x14
inches, with mounted two-part caption
below, right hand portion of caption
lacking; Signed lower right.
Np, circa 1957
[700/1,000]
327
●
(BOOK
ILLUSTRATION—
SCIENCE FICTION.) Finlay,Virgil.
Pen-
and-ink illustration on board,
created to
illustrate Arlton Eadie’s Son of Satan when it
appeared in theApril 1936 issue ofWeirdTales,
10x10 inches; Signed and dated lower right.
1936
[800/1,200]
324
327
