African American Art: December 2020 Highlights Lot 73: Wadsworth Jarrell, Subway, acrylic on canvas, 1970. Estimate $100,000 to $150,000. At Auction December 10, 2020 Previewing by Appointment Only Through Wednesday, December 9 Browse Catalogue This sale will include significant works by innovative artists, including a fine example of Gamin, an iconic sculpture of the Harlem Renaissance, by Augusta Savage, which was acquired directly from the artist. Faith Ringgold’s Tut and Betty—a fabulous disco couple from 1979—is a highlight of the sale: the pair of soft sculptures will be the first of Ringgold’s wonderful dolls to come to auction, an important but rarely exhibited facet of her work. Water Baby, 1987, an excellent example of Emma Amos’s late 1980’s series of paintings of women bathers, and Head, a dynamic 2004 stoneware sculpture by Simone Leigh, also feature. The auction includes several prints and multiples by contemporary artist Kara Walker, including her large 1996 lithograph, l’ll Be a Monkey’s Uncle. A strong group of post-war and contemporary abstract and figurative paintings includes work by Ernie Barnes, Frank Bowling, Sam Gilliam, Kenneth Victor Young, and Hughie Lee-Smith, with Man with the White Flag, a large 1987 canvas that epitomizes the surrealism found in his late-career painting. Lot 11: Augusta Savage, Gamin, plaster painted gold, circa 1929. Estimate $20,000 to $30,000. Modern Lot 15: Norman Lewis, Untitled (Head of a Mule, French Sudan), color pastel on sandpaper, 1935. Estimate $10,000 to $15,000. Lot 28: John N. Robinson, Reclining Woman (Gladys), oil on canvas board, 1952. Estimate $40,000 to $60,000. Post-War Lot 83: Romare Bearden, Woman and Child, paper collage on board, 1968. Estimate $150,000 to $250,000. Lot 39: Thomas Sills, New Born, oil on canvas, 1958. Estimate $50,000 to $75,000. Lot 41: Charles Alston, Black and White #8, oil on canvas, 1961. Estimate $100,000 to $150,000. Lot 118: Frank Bowling, Repose for SO, acrylic on canvas, 1976. Estimate $75,000 to $100,000. Contemporary Art Lot 192: Simone Leigh, Head, glazed and painted fired stoneware, 2004. Estimate $75,000 to $100,000. Lot 202: Kerry James Marshall, Vignette (Wishing Well), color etching and aquatint with drypoint, 2010. Estimate $30,000 to $40,000. Lot 121: Faith Ringgold, Tut and Betty, soft fabric construction, human hair and fabric paint mounted on wood bases, 1979. Estimate $80,000 to $120,000. Lot 170: Sam Gilliam, Snow Lane #7, acrylic, monoprint, color relief and collage on an assemblage of handmade papers with aluminum fasteners, 1996. Estimate $25,000 to $35,000. Lot 151: Emma Amos, Water Baby, acrylic and fabric collage on canvas, 1987. Estimate $35,000 to $50,000. What You Need to Know for Auction Day There will not be bidding in the room, though we accept order bids, and interested buyers will be able to participate live via the Swann Galleries App. The app is available in the App Store and on Google Play, which can also be accessed on a desktop at live.swanngalleries.com. Please note: phone bidding registrations will close the day before the sale at 4pm. At this time, our exhibition and auction location at 104 East 25th Street is closed to the public. Private viewings are available by appointment only, and must be arranged in advance. To make an appointment please contact the specialist. Specialist Nigel Freeman Director, African American Art nfreeman@swanngalleries.com Sign up for Auction Updates to get email notifications about new catalogues, or download our Live Bidding App and enable push alerts. How to Bid at Auction Share Facebook Twitter November 5, 2020Author: Swann CommunicationsCategory: African American Art Tags: African-American Fine Art Augusta Savage Emma Amos Faith Ringgold Fall 2020 Highlights Romare Bearden Sam Gilliam Wadsworth Jarrell Previous Artist Profile: Louis Lozowick Next Modern & Post-War Art: December 2020 Highlights Recommended Posts Happening December 7: Artist Talk with Bisa Butler African American Art November 30, 2020 Cornelius Marion Battey Photographic Portraits Discovered African American Art September 16, 2009 James Amos Porter, The Father of African-American Art History African American Art January 30, 2014